Chapter 78

第078回 · Dream of the Red Chamber

Original Chinese text from Chinese Wikisource (public domain). The translation is machine-made and may contain errors. · Original text ↗

Chapter 78

Seventy-Eightth Chapter

Old Scholar Idly Composes the "Charming Maiden" Lyric

Foolish Young Master Fabricates the Lotus Eulogy

After the two nuns had led Fangguan and the others away, Lady Wang went to pay her morning respects to the Lady Dowager. Seeing that her mother-in-law was in good spirits, she took the opportunity to say: "There was a maid in Baoyu's rooms named Qingwen. That girl had grown up, and for the past year she had been perpetually ill. I often noticed she was more unruly and lazier than the others. Then a few days ago she was laid up for more than ten days. I called in a doctor to examine her, and he said it was consumption. So I hastened to send her away. If she recovers, there's no need to have her back—she might as well be given to her family to be matched in marriage. As for the other girls who studied opera, I've also decided to let them go. First, they all know their lines and have loose tongues—they only know how to babble nonsense. How could the young ladies be allowed to hear such things? Second, since they have performed for a while, it's only right to release them. Besides, there are too many maids as it is. If more hands are needed, a few more can always be selected."

The Lady Dowager nodded and said: "That's only reasonable. I've been thinking the same thing. But that girl Qingwen—I thought very highly of her. How did things turn out this way? In my opinion, none of the other maids could match her in looks, speech, needlework, or brisk efficiency. She was the only one fit to wait on Baoyu in the future. Who would have guessed she'd go bad?"

Lady Wang smiled and said: "The old lady's original choice was not mistaken. It's just that she lacked the good fortune, and so she fell ill. As the saying goes, 'A girl changes eighteen times as she grows up.' Besides, those with talent are apt to be a bit eccentric. Surely the old lady has seen everything there is to see. Three years ago I began to keep my eye on this matter. I first settled on her, and I watched her carefully. Observing her coolly, I found that although she excelled others in every respect, she lacked a certain gravity. As for being weighty and understanding propriety, Xiren was the best. Although one wants a virtuous wife and a beautiful concubine, it's better still if they are gentle in disposition and dignified in bearing. Xiren's looks, though slightly inferior to Qingwen's, still ranked among the best in the household. Moreover, she conducted herself generously and had an honest heart. These past few years she had never encouraged Baoyu in his mischief. Whenever Baoyu was extremely unruly, she was the only one who would remonstrate with him to the utmost. So after selecting her for two years and finding no fault, I quietly stopped her maid's monthly allowance and allocated two taels of silver from my own monthly stipend to her. This was merely to let her know she should be even more careful and strive to improve. I did not announce it openly for two reasons: first, Baoyu is still young, and if the Master found out, he might say Baoyu was neglecting his studies; second, Baoyu might think that since the people around him dare not advise or reprove him, he could indulge himself even more. That's why I've waited until today to report this to the old lady."

The Lady Dowager laughed and said: "So that's how it is. That's even better. Xiren was always quiet and taciturn from childhood—I used to say she was a gourd without a mouth. Since you know her so well, how could she be seriously at fault? And your idea of not telling Baoyu openly is even better. Let no one mention this matter—let everyone simply know it in their hearts. I know well that Baoyu in the future will be one who does not listen to the advice of wife or concubine. I can't understand it either. I've never seen such a child. Other kinds of mischief would be expected, but his partiality for maids is hard to fathom. This has worried me, and I've often watched him closely with a cool eye. If he's always carrying on with the maids, he must have grown up and understands relations between men and women, which is why he likes to be close to them. But on careful examination, it turns out not to be so at all. Isn't that strange? I suppose he must have been a maid who was reincarnated by mistake."

At this, everyone laughed. Lady Wang then reported how Jia Zheng had praised Baoyu and taken him out sightseeing. When the Lady Dowager heard this, she was even more delighted.

Presently, Ying-chun, having finished her toilet, came to take her leave and departed. Feng-chieh also came to pay her morning respects. After attending them at breakfast, they chatted and laughed for a while. Following the Old Ancestress's afternoon rest, Lady Wang summoned Feng-chieh and asked whether the pills had been prepared.

"They haven't yet," replied Feng-chieh. "I'm still taking medicinal decoctions at present. You needn't worry, madam, I've quite recovered."

Seeing that her spirits had returned to normal, Lady Wang believed her. She then told her about the dismissal of Ch'ing-wen and the others, and added, "Why did Pao-chai go home to sleep without anyone knowing? I made an inspection along my route the other day. That new nurse who came here with Lan is extremely coquettish too—I don't like her either. I've spoken to your sister-in-law about it. It would be best to let her go. Besides, Lan is grown now and has no need of a nurse. So I asked your sister-in-law, 'Didn't you know Pao-chai had gone out?' She said she had been told, but that Pao-chai would only stay two or three days and come back once her aunt was better. Her aunt is not seriously ill—just the coughing and backaches she gets every year. There must be a reason for her leaving. Could someone have offended her? That child takes things to heart. When relatives stay together, one must be careful not to give offence, or it creates bad feeling."

Feng-chieh laughed. "Who could possibly have offended her? Besides, she spends every day in the Garden, and the only people she sees are those young ladies."

"Could it be that Pao-yu, with his thoughtless tongue, said something tactless? He's always been like a simpleton with no sense of what to avoid—it's quite possible he blurted out something when he was in high spirits."

Feng-chieh laughed again. "You're worrying too much, madam. If he went out to discuss serious business, he might seem foolish. But when he's brought in among the young ladies and all the maids, he's the most considerate of anyone. He's always afraid of giving offence—no one could possibly be annoyed with him. I think Sister Hsueh left because of the recent search of the maids' belongings. Naturally she couldn't feel at ease that the Garden had been searched. She's a relative, and she has her own maids and servants here too, so we couldn't very well search them. She probably feared we'd suspect her, so she took it to heart and withdrew of her own accord. It's only natural she should avoid any suspicion."

Lady Wang thought this reasoning sound. She lowered her head in reflection, then ordered someone to invite Pao-chai to come and explain the previous day's events to ease her mind, and told her she might continue living in the Garden as before.

Pao-chai said with a smile, "I had wanted to leave earlier, but you have had so many important matters, aunt, that I didn't like to mention it. Then just the other day mother fell ill again, and our two most reliable women in the house were also sick, so I took the opportunity to go. Now that you know, I can speak plainly: I should take my leave today and move my things out."

Lady Wang and Feng-chieh both laughed. "You're too stubborn. You really ought to move back in. Don't let a trifling matter create distance between relatives."

Pao-chai smiled. "You don't understand at all. I'm not leaving because of any particular reason. First, mother's spirits are much diminished compared to before, and at night there's no one reliable to look after her—there's really only me. Second, my brother is about to be married, and there are still many needlework tasks and household articles that haven't been prepared—I need to help mother manage these things. Aunt and Sister Feng know our family circumstances; I'm not lying. Third, ever since I've been living in the Garden, the small side gate in the southeast has been kept open for my convenience. People coming and going might take that shortcut to save themselves trouble, and there's no one to check them. If anything untoward happened through that gate, it would be embarrassing for both sides. Besides, my coming to live in the Garden was never anything important—it was only because we were all young and nothing was happening at home, so it was better to come in and be together with the cousins, whether for needlework or amusement, rather than sit at home feeling dull. Now we've all grown up and all have our own affairs. Moreover, you have met with one misfortune after another through the years, and the Garden is so large that you can't watch over everything at once—everything is connected. If there were fewer people, you would have fewer worries. So today not only do I insist on leaving, but I would also advise you to reduce things where possible—it wouldn't compromise anyone's dignity. In my opinion, this expense for the Garden could actually be eliminated. I know I'm not saying what I ought to, but you know our family well—was it always as straitened as this?"

When Feng-chieh heard this speech, she turned to Lady Wang with a smile. "What she says is right. There's no point in forcing the issue."

Lady Wang nodded. "I have no answer to that. We'll just leave it to you, then."

By this time Baoyu had returned with the others. He explained that his father's party was still in progress and, fearing it might be getting dark, Jia Zheng had sent them home first. Lady Wang asked anxiously, "Did you disgrace yourself today?" Baoyu laughed. "Not only did I not disgrace myself—I came back loaded with things." Immediately afterward, old serving women came to receive the items from the pages at the inner gate. Lady Wang examined them: three fans with three fan cases, six cases of writing materials, three strings of scented beads, and three jade belt-rings. Baoyu said, "These are from Academician Mei, those from Vice Director Yang, and these from Secretary Li—one set for each of us." Then he drew from his breast a small sandalwood protective Buddha image and added, "This was given to me personally by the Duke of Qingguo." When Lady Wang had asked who else was present and what poems were composed, she had Baoyu's portion set aside and sent with Baoyu, Lan, and Huan to pay their respects to the Lady Dowager. The old lady was delighted and could not stop asking questions. But Baoyu's mind was fixed on Qingwen. Having answered as best he could, he complained that the horse ride had jostled him and his bones ached. "Go back to your room and change your clothes," said the Lady Dowager. "A little rest and exercise will set you right. But don't go to sleep." Baoyu obeyed and hurried back to the Garden.

Sheyue and Qiuwen were already waiting with two young maids. When Baoyu came out after taking leave of the Lady Dowager, Qiuwen gathered up the writing materials and followed him. "So hot!" he grumbled as he walked, pulling off his cap and sash and stripping off his outer robe, which Sheyue took from him. Beneath his apricot-yellow lined wadded jacket showed his bright red trousers, the color of drops of blood. Qiuwen, recognizing them as Qingwen's handiwork, sighed, "We should put this pair of trousers away—the thing remains but the person is gone." Sheyue smiled ruefully. "Yes, these are Qingwen's stitches." She too sighed. "How true—the object survives, the person does not." Qiuwen tugged at Sheyue's sleeve and whispered, "But they do go well with that apricot jacket and the dark-blue boots—they bring out the blue-black of her hair and the whiteness of her face." Baoyu pretended not to hear. After a few more steps he stopped. "I want to take a walk. What's the best way to do it?" Sheyue said, "Broad daylight—what are you afraid of? That someone might lose you?" She ordered the two young maids to follow. "We'll deliver these things and come back." "Dear sister, wait for me," said Baoyu. "We'll be back directly. With both of us carrying things—one with the four treasures of the study, the other with caps, robes, sashes, and shoes—we'd look like a procession." Baoyu was pleased that she had spoken exactly as he wished and let them go.

He then led two young maids behind a rock and asked them, "Since I left, did Sister Xiren send someone to look in on Sister Qingwen?"

One of them answered, "She sent Mother Song."

Baoyu asked, "What did she report?"

The maid said, "She reported that Sister Qingwen cried out all night with her neck stiff, and this morning she closed her eyes and stopped speaking. She is unaware of anything and cannot make a sound, only gasping her last breaths."

Baoyu hurriedly asked, "Who did she call for all night?"

The little maid said, "She called for her mother all night."

Baoyu wiped his tears and asked, "Did she call for anyone else?"

The maid said, "I didn't hear her call for anyone else."

Baoyu said, "You must have been confused and didn't hear clearly."

The other young maid nearby, who was the cleverest, seeing Baoyu speak this way, came forward and said, "He really was confused." She then said to Baoyu, "Not only did I hear clearly, but I also went to see her myself in secret."

Baoyu, hearing this, quickly asked, "Why did you go see her yourself?"

The maid said, "I thought that Sister Qingwen had always treated us differently from others, and was very kind to us. Now that she has been wronged and sent away, though we have no other way to save her, at least going to see her ourselves would not be unworthy of how she cared for us all along. Even if someone found out and reported us to Lady Wang and we were beaten, we would accept it willingly. So I risked a beating and went down to see her in secret. Who would have thought that though she was clever in life, she remained so even unto death. She thought it was no use speaking to vulgar people, so she only closed her eyes to rest her spirit. When she saw me come, she opened her eyes, took my hand, and asked, 'Where has Baoyu gone?' I told her the truth. She sighed and said, 'I cannot see him.' I said, 'Why don't you wait for him to return so you can see each other one last time and both fulfill your wishes?' She smiled and said, 'You don't understand. I am not dying. A Flower Deity is lacking in Heaven now, and the Jade Emperor has ordered me to take charge. I am to assume my post as Flower Official at the second watch of the Wei hour. Baoyu will not arrive home until the third watch of the Wei hour—there is only a quarter hour between us, so we cannot meet. When the King of Hell summons those who are fated to die, he sends little ghosts to seize their souls. If one wishes to delay for a moment, one only needs to burn some paper money and pour out some offerings, and the ghosts will be so busy grabbing the money that the person fated to die can linger a while longer. But I am being summoned by an immortal from Heaven—how could I possibly delay for even a moment!' When I heard this, I hardly believed it. But when I came back to the room and carefully checked the clock, indeed, at the second watch of the Wei hour she breathed her last, and right at the third watch someone came to call us, saying you had arrived. Everything matched perfectly."

Baoyu hurriedly said, "You are illiterate and have not read books, so you don't know. This is indeed possible. Not only does each flower have a deity, but beyond having a deity for each kind of flower, there is also a Chief Flower Deity. But I don't know whether she has gone to serve as the Chief Flower Deity or as the deity of just one kind of flower."

The maid, hearing this, could not make up an answer on the spot. It happened to be the eighth month, and the lotus flowers on the pond in the garden in full bloom. The maid, taking inspiration from the scene, quickly answered, "I once asked her what kind of flower deity she was, so that we could make offerings to her in the future. She said, 'Heaven's secrets must not be revealed. Since you are so devout, I will tell you, but you must only tell Baoyu. If you reveal Heaven's secrets to anyone else, five thunderbolts will strike you on the head.' She told me then that she was the deity in charge of the lotus flower."

Baoyu, hearing this, was not only not disturbed but went from sorrow to joy. Pointing at the lotus, he laughed and said, "This flower deserves to be governed by such a person. I always knew that someone like her would accomplish something extraordinary. Though she has transcended the sea of suffering and we can never meet again, I cannot help but feel sad and miss her." Then he thought, "Though I did not see her at the end, I should go now and pay my respects at her spirit tablet, to honor the affection of these five or six years."

With this thought, Baoyu hurried back to his room, changed his clothes, and told everyone he was going to see Daiyu. He then left the garden alone and went to the place he had visited before, thinking the coffin was still kept there. But who could have known that the moment she had breathed her last, her brother and sister-in-law had gone back inside, hoping to get a few taels of silver for the funeral expenses sooner. When Lady Wang heard of this, she ordered ten taels of silver to be given for the burial. She also commanded, "Take her away at once and have her cremated immediately. She died of consumption—she must not be kept!" Her brother and sister-in-law, upon hearing these words, pocketed the silver and at once hired people to prepare the body for burial, then carried it to the cremation ground outside the city. The remaining clothes, shoes, hairpins, and rings were worth some three or four hundred taels of gold, which her brother and sister-in-law kept for their future needs. The two of them locked the door and went together to attend the funeral, and had not yet returned. Baoyu arrived and found the place empty.

Baoyu stood there for a long time, but could think of nothing else to do, so he turned and went back into the garden. When he returned to his room, he felt listless and bored, and so he went to look for Daiyu along the way. But Daiyu was not in her room. When he asked where she had gone, the maids replied, "She has gone to Miss Bao's place." Baoyu then went to the All-Spice Court, only to find it quiet and deserted. The rooms had been emptied out, and he was greatly startled. Just then an old servant woman came by, and Baoyu quickly asked her what had happened. The old woman said, "Miss Bao has moved out. She left us to watch the place, and things haven't been completely moved yet. We've helped send some things over, and that's about all done. Please go back, sir, so that we can sweep the dust. From now on, you needn't trouble yourself to come all the way here."

Baoyu heard this and stood in a daze for a long time. He looked at the fragrant vines and strange creepers in the courtyard, still lush and green, but they seemed suddenly to have turned desolate compared to yesterday, and this added to his grief. He walked out silently, and saw that beyond the gate, on the green embankment, no one had passed by for half a day—so different from former days when the maids from every household would come unbidden in an endless stream. He bent down to look at the water beneath the embankment, still flowing on softly and gently. He thought to himself, "How can there be such heartless things in this world!" After a spell of sorrow, he suddenly remembered that Siqi, Ruhua, Fangguan, and the other five had been sent away, Qingwen had died, and now Baochai and the others had also left. Though Yingchun had not yet gone, she had not returned for several days in a row, and matchmakers had come one after another to seek her hand in marriage. It seemed that before long, everyone in the garden would be scattered. Even if he fretted, it would be of no use. He might as well go find Daiyu and spend the day with her; when he came back, he would keep Xiren company. With just these two or three people, perhaps they would live and die together. With this thought, he went to the Bamboo Lodge, but Daiyu had not yet returned. Baoyu thought he should go out and wait to see her off, but he could not bear the sadness, so he decided not to go, and returned dejectedly.

Just as he did not know what to do, a maid of Lady Wang's came looking for him and said, "The Master is back and is looking for you. He has found a good subject for a composition. Hurry, hurry!" Baoyu had no choice but to follow her. When he arrived in Lady Wang's room, his father had already left. Lady Wang ordered someone to escort Baoyu to the study.

At that time, Zheng was discussing with his guests the pleasures of seeking autumn scenery. He added, "Just as we were about to disperse, a topic came up that is truly a tale for the ages. It encompasses all eight qualities—'graceful and refined, loyal and heroic'—and would make an excellent subject. Everyone should compose a lament."

The guests all hastened to ask what this extraordinary matter was.

Zheng then said, "In the past, there was a prince titled Prince Heng, who was dispatched to garrison Qingzhou. This Prince Heng was fond of beautiful women and also delighted in martial arts during his leisure hours. He selected many beauties and had them train in military matters each day. Whenever he had time, he would hold banquets for days on end, ordering the women to practice combat and the lifting of heavy weapons. Among his concubines was one surnamed Lin, the fourth daughter, whose beauty was the most outstanding and whose martial skills were even more refined. She was called Lin Si'niang. The Prince Heng was most pleased with her and elevated Lin Si'niang to command all the women, calling her the 'Guimu General.'"

The guests all exclaimed, "How marvelous! By adding 'General' after 'Guimu,' it actually becomes all the more charming and graceful—truly an extraordinary and peerless expression. One can imagine that this Prince Heng was also the most romantic figure of all time."

Zheng smiled and said, "That is naturally so, but there is something even more remarkable and lamentable."

The guests asked in astonishment, "What further wonders lie below?"

Zheng said, "Who would have expected that the following year, remnants of bandits like the 'Yellow Turbans' and 'Red Eyebrows' would once again gather like crows and plunder the regions east of the mountains? Prince Heng considered these dogs and sheep unworthy of a major campaign and set out with light cavalry to suppress them. Unexpectedly, the bandits possessed considerable cunning and stratagems. After two defeats, Prince Heng was killed by the bandites. Thereupon, the civil and military officials of Qingzhou city all said, 'If even the Prince could not prevail, what can we do?' and were on the verge of surrendering the city. When Lin Si'niang received the dire news, she gathered all the female commanders and issued orders, saying, 'We have all received the Prince's favor and walk upon heaven and earth—we cannot repay even a fraction of it. Now that the Prince has given his life for the state, I too intend to give my life for the Prince. Those who wish to follow me, come with me now; those who do not wish to, may disperse early.' Upon hearing this, all the female commanders said they were willing. So Lin Si'niang led the group out of the city that very night, fighting straight into the bandits' camp. The bandits were unprepared and several of their chieftains were slain. But then the bandites saw that these were merely a few women and concluded they could not accomplish anything. They turned their weapons and fought with full force, leaving not a single one of Lin Si'niang's group alive—thus fulfilling Lin Si'niang's loyal and righteous resolve. Later, when the report reached the capital, from the Son of Heaven down to all the officials, there was universal astonishment at this wonder. Naturally, the court then sent someone to exterminate the bandites. As soon as the imperial troops arrived, they vanished without a trace—no need to dwell on this. Only regarding the matter of Lin Si'niang—when you gentlemen hear of it, is it admirable or not?"

The guests all sighed and said, "Truly admirable and marvelous—it is indeed a splendid subject. We should all compose a lament for her."

With that, someone quickly brought brush and ink, and making slight modifications to several words from Zheng's account, composed a brief preface, which they presented to Zheng for review.

Zheng said, "It is nothing more than this. They already had an original preface. Yesterday, because an imperial edict was received, instructing a review of all persons from previous dynasties who deserved commendation but had been overlooked and not memorialized—whether monks, nuns, beggars, or women—if there was one deed worthy of praise, their records were to be forwarded to the Ministry of Rites to request imperial reward. So the original preface was also sent to the Ministry of Rites. When everyone heard this news, they all wished to compose a 'Guimu Ballad' to commemorate her loyalty and righteousness."

Upon hearing this, everyone smiled and said, "That is as it should be. But what is even more admirable is that our present dynasty possesses unprecedented and generous grace, surpassing all previous ages. It can be said that 'the sage court has no deficiencies'—words spoken by people of the Tang dynasty in advance, which have actually come true in our present dynasty. The present age does not make that statement hollow."

Zheng nodded and said, "Indeed."

While they were speaking, Huan and his nephews arrived. Zheng ordered them to look at the subject. Although both could compose poetry, and in terms of the substance within their belles they were not far from Baoyu, there were two things: first, the two of them were of a different path. In terms of examination studies, they seemed superior to Baoyu, but in terms of miscellaneous learning, they fell far short. Second, their talents were dull and sluggish, lacking Baoyu's ethereal grace. Each time they composed poetry, it was like the eight-legged essay method—inevitably stiff and pedestrian.

As for Baoyu, although he could not be considered a scholar, he was blessed by nature with intelligence and had always enjoyed miscellaneous books. He believed that among the ancients too there were fabrications and errors, and one could not be too rigid in making comparisons. If one were always afraid of this and that, even if one piled up a composition, it would be quite lacking in interest. Because he held this notion in his heart, whenever he encountered a subject, whether difficult or easy, he found no effort required—like the glib-tongued people of the world, creating something from nothing, relying on a clever mouth and sharp tongue to spin out long discourses, pulling things together at random and elaborating into a whole speech. Although there was no basis for verification, it could make the four corners of the room spring with life. Even those with stern words and severe countenances could not suppress this kind of charm.

Recently, Zheng, being advanced in years, had grown indifferent to fame and profit. Yet by his original nature he too had been a dissolute lover of poetry and wine. Because he was among the younger generation, he could not but guide them onto the proper path. Lately he had seen that although Baoyu did not study, he actually had some understanding of this. Upon careful assessment, it could not be said that he had entirely disgraced the ancestors. When he thought of the ancestors, each of them had been like this too—although there had been those deeply proficient in examination studies, not one had ever risen to prominence. It seemed this was also the fate of the Jia family. Moreover, his mother doted on him, so he did not force him with examination studies. That was how he treated him recently. He also wanted that after Huan and Lan's examination studies, they too should be like Baoyu. So each time he wished to compose poetry, he would always summon all three together to compose in competition.

Let me pass over idle talk for now. To continue: Jia Zheng then ordered the three of them each to compose a dirge. Whoever finished first would receive a prize, and the finest work would earn an extra reward. Jia Huan and Jia Lan had both composed several poems recently in the presence of many people, and their courage had grown bolder still. Now, having read the topic, they each went off to ponder on their own. In a short while, Jia Lan finished first. Jia Huan, fearful of falling behind, also completed his. Both had written down their poems, but Baoyu was still lost in thought. Jia Zheng and the others first looked at the two poems.

Jia Lan's was a seven-character quatrain, which read:

The winsome General Lin Sijiang,

Jade for flesh and bone, iron for her heart,

She gave her life to repay the Heng King—

Even Qingzhou's earth is fragrant this day.

The assembled advisors all praised it highly: "For a young gentleman of thirteen to produce such a work—it truly shows the deep learning of his family. It is no empty claim." Jia Zheng said with a smile, "The words of a child—still, one cannot but commend him."

Then they looked at Jia Huan's, a five-character regulated verse, which read:

The rouged one knows no sorrow,

The general's will is not yet stilled.

She hides her weeping, leaves the embroidered curtain,

Bearing grief, she departs Qingzhou.

She thought to repay the king's grace—

How could she avenge the foe's crime?

Who inscribed this loyal and righteous tomb?

Through all ages, she alone stands graceful.

The others said, "This is even better. Being older by some years, his conception is naturally different." Jia Zheng said, "Not too flawed, but still not earnest enough." The others replied, "That will do. The Third Master is only a couple of years older. To achieve this before capping age—with effort, in a few more years, he might well be a great Ruan or little Ruan." Jia Zheng said, "You flatter him. His only failing is his unwillingness to study." Then he asked how Baoyu was getting on. The others said, "The Second Master works with meticulous care. His poem will surely be of a different order—sentimental and graceful, unlike these."

Baoyu laughed and said, "This topic seems ill-suited to regulated verse. It needs an old-style form—a song or a ballad, a long piece—to be truly earnest." When the others heard this, they all stood up, nodding and clapping. "We knew his conception would be different! Whenever he receives a topic, he first considers what form suits it. This is the method of a master. It is like tailoring clothes—before cutting the cloth, one must take the person's measurements. The topic is called 'The Winsome Song,' and since there is already a preface, it must be a long ballad to be fitting. Perhaps modeled on Bai Letian's 'Song of Everlasting Sorrow,' or on an ancient-style poem, half narrative, half lyrical, flowing and free—only then can it approach excellence."

Jia Zheng, hearing this, found it agreeable. He took up the pen and, turning to Baoyu with a smile, said: "Very well—you recite, I'll write. If it's bad, I'll thrash your flesh. Who gave you permission to boast so shamelessly first?" Baoyu had no choice but to recite a line:

The Heng King loved martial arts and beauty alike—

Jia Zheng wrote it down, looked at it, and shook his head: "Crude." One of the advisors said, "This is precisely what makes it ancient—it is not truly crude. Let us see what follows." Jia Zheng said: "Let it stand for now." Baoyu continued:

He therefore taught fair maidens to ride and shoot.

Rich songs and lascivious dances brought no joy—

Arrayed in formation, wielding spears, they found their delight.

Jia Zheng wrote it out, and everyone said: "Just this third line alone is so archaic and vigorous—superb. These four lines narrate plainly, and they are most fitting." Jia Zheng said: "Do not flatter him excessively. Let us see how he turns it." Baoyu recited:

Before the eyes, no dust of battle rises—

The general's dainty shadow amid the red lanterns.

When the others heard these two lines, they all exclaimed: "Splendid! What a fine 'no dust of battle rises'! And then 'dainty shadow amid the red lanterns' follows—every word and phrase has entered the realm of the divine." Baoyu said:

Her war-cries were fragrant upon the air,

Her frost-bright spear and snow-bright sword—too delicate to raise.

When the others heard this, they clapped their hands and laughed: "It's even more vivid, painted before our eyes. Was our Lord Bao perhaps present that day, seeing her loveliness and catching her fragrance? Otherwise, how could he have described it with such intimacy?" Baoyu laughed: "A maiden practicing martial arts—for all her fierceness, how could she compare to a man? Without asking, one can know her delicate and timid form." Jia Zheng said: "Hurry up and continue. You have no business showing off here." Baoyu pondered a moment, then recited:

Lilied tassels and lotus-silk cords—

The others all said: "Turning to the 'cord' rhyme, the 'Xiao' rhyme—even more wonderful. Now it flows and drifts freely. And this line is exquisitely lovely." Jia Zheng wrote it and looked at it. "This line is no good. You've already written 'fragrant upon the air' and 'too delicate to raise'—why do this again? This shows a lack of force, so you're piling on decorative phrases to cover it up." Baoyu laughed: "A long song also needs some ornate phrases for embellishment—otherwise it feels bare." Jia Zheng said: "If you keep using such phrases, how will you turn to martial matters below? If you add a few more lines, won't it be like adding feet to a snake?" Baoyu said: "In that case, if the next line turns and stops, that should do." Jia Zheng said coldly: "What great ability do you have? Above you wrote a grand, sweeping, empty line—now you want a single line that both turns and concludes. Isn't this a case of the heart having more ambition than strength?" Baoyu, hearing this, hung his head in thought, then said a line:

She hung not bright pearls—she hung a precious sword.

He hastily asked: "Is this line acceptable?" The others slapped the table in astonishment. Jia Zheng wrote it, looked at it, and smiled: "Let it stand. Continue." Baoyu said: "If it's acceptable, I'll go straight through. If not, I'll just scrape it out, think of another idea, and find fresh words." Jia Zheng, hearing this, barked: "Enough talk! If it's no good, write ten or a hundred more—are you afraid of working hard?" Upon this, Baoyu had no choice but to think for a moment, then recite:

The battle over, the night grows late—her strength and spirit fail,

Grease stains and powder smears defile the shark-skin sheath.

Jia Zheng said: "Another passage. What comes next?" Baoyu said:

Next year the marauders sweep through Shandong,

Devouring like tigers and leopards, swarming like bees.

The others all remarked, "What a fine character—'walk'! It immediately shows the superiority. And the whole line flows without stiffness."

Baoyu then read:

The King led Heaven's troops to crush the foe,

Fought battle after battle, but laid no blow.

A foul wind snapped the wheat along the ridge,

Sunlight shone on banners, empty tents in pledge.

Green mountains silent, waters running slow,

This was when Heng the King was laid low.

Rain drenched the white bones, blood stained the grass,

Moonlight chilled the yellow sand where ghosts kept watch, alas.

Everyone said, "Splendid, splendid! The arrangement, the narration, the diction—all without flaw. Let's see how he comes to Lady Si, he must have some marvelous turn and extraordinary lines."

Baoyu then read:

The soldiers thought only of preserving their own lives;

Qingzhou, seen with the eye, was all dust and ashes.

Who expected that loyalty and righteousness would shine in the women's quarters,

And that the favored one of Heng the King would rise in fury?

Everyone said, "The narrative is told with grace." Jia Zheng said, "There's too much already. The rest will probably be redundant."

Baoyu then read:

Who was the favorite of Heng the King?

The graceful and valiant General Lin Si-niang,

Who commanded the maids of Qin and drove the lasses of Zhao,

Peach-blossom red and plum-blossom full, advancing to the battlefield.

Embroidered saddles bore tears, spring sorrow weighed heavy,

Armored suits made no sound, the night air turned cool.

Victory and defeat are naturally hard to foretell,

She pledged her life and death to repay her former king.

The rebels' force was rampant, beyond resisting,

Willows snapped, flowers withered—truly grievous.

Her soul clung to the city walls, her hometown near,

Horses trod on rouge, the marrow fragrant.

News galloped swiftly to the capital—

What family's sons and daughters did not grieve!

The Son of Heaven was alarmed, bemoaning the lost defense;

At that hour, civil and military officials all hung their heads.

Why should civil and military officials stand at court,

And yet not match the woman Lin Si-niang in her bower!

I heave a long sigh for Lady Si,

My song is done, yet my thoughts still wander.

When he finished reading, all praised him without ceasing and went through the whole piece again from the beginning. Jia Zheng said with a smile, "Although he has said a few lines, after all it is not very earnest." Then he said, "Go, all of you." The three of them, as if granted a pardon, came out together and each returned to his room.

The others had nothing more to say and simply retired for the night. But Baoyu alone was filled with grief. Returning to the garden, he suddenly saw the lotus flowers on the pool and remembered that the little maid had said Qingwen had become the Goddess of the Lotus. He could not help feeling pleased again and stood gazing at the lotus flowers with a sigh for a while. Then it occurred to him that he had not made an offering at her spirit tablet after her death. Why not offer a sacrifice before the lotus flowers now? Would that not fulfill the rites and be far more distinctive than the conventional mourning at the spirit tablet? Having thought this, he was about to perform the ceremony. But he suddenly stopped himself, thinking, "Even so, I must not be too haphazard. I must dress properly and have the offerings complete, to show true reverence." He thought again, "If I were to follow the conventional rites of mourning, that would certainly not do. I must break new ground, establish a different ceremony, one that is original and extraordinary, untouched by the world, so as not to betray the character she and I share. Besides, the ancients said: 'Even the humblest things—stagnant pools, duckweed, wild herbs—may be offered to kings and spirits.' It is not the value of the offerings that matters, but the sincerity of the heart. That is the first point. Second, the elegy and lament must also express my own vision and set my own style. I must not fall into the old formulas, cobbling together a few words merely to satisfy the eye and ear. It must be written with tears and blood, each word a sob, each line a cry. Better that the writing be insufficient and the grief overflow, than that literary ornament overshadow the sorrow. Besides, the ancients themselves often expressed unconventional sentiments—it is not I who set this precedent. But people today are all obsessed with fame and success; the old ways are swept clean away. They fear being out of step with the times, lest it hinder their prospects for advancement. But I have no hunger for such fame. I do not write for the world's admiration. Why should I not look far back to the methods of the Chu writers—the *Great Words*, the *Summons for the Soul*, the *Encountering Sorrow*, the *Nine Arguments*, the *Withered Tree*, the *Questions and Difficulties*, the *Autumn Floods*, and the *Biography of Master Great Man*? I may mix in single lines, or compose short couplets, or use real allusions, or employ metaphors and allegories. I will follow my fancy, write as I please, using words in play when joyful, using words to express pain when grievous. When the meaning is fully conveyed, I will stop. Why must I, like the worldly, confine myself within narrow bounds?"

Baoyu was by nature one who did not study. Once this wayward notion took hold in his mind, how could he produce fine poetry and prose? He himself composed freely, without seeking anyone's admiration, and so gave full rein to his imagination, drafting an entire long essay. He wrote it in regular script on a piece of fine ice-silk gauze that Qingwen had liked in life, and titled it "The Elegy for the Lotus Maiden." It had a preface and a song. He also prepared four things that Qingwen had been fond of. Then, under the moonlight that night, he ordered the little maid to carry them before the lotus flowers. He first performed the rites of obeisance, then hung the elegy on a lotus branch, and tearfully read aloud:

In this age of enduring peace, in the month when osmanthus and cassia vie in fragrance, on a day of irremediable sorrow, the Jade of Turbid Quality from the Happy Red Court, with humble sincerity, presents the stamens of a host of flowers, the weave of ice-silk gauze, the waters of the Seeping Fragrance Spring, and the tea of maple-dew. Though these four offerings are trifling, they serve to convey my earnestness and devotion. He thus makes offering before the Lotus Maiden of autumn splendor, who serves as attendant in the Palace of the White Emperor, saying:

I have reflected in silence: since my daughter came into this turbid world, sixteen years have now elapsed. Her ancestral hometown and family name have long since been lost beyond all possibility of investigation. Yet I had the privilege of her company in the intimacy of bedding, combing, and bathing, in the evenings of repose and merrymaking, in closeness and familiarity—for five years, eight months, and some days besides.

I recall the time before her birth: her substance was more precious than gold or jade; her nature was purer than ice or snow; her spirit was more radiant than stars or sun; her beauty was more luminous than flowers or the moon. Her sisters all admired her grace and refinement; the old nurses and matrons alike looked up to her virtuous kindness. Who could have expected that the cuckoo and the owl would hate her loftiness, that the noble hawk would be caught in a snare? That the weeds would envy the fragrance of the sweet herbs, and the thoroughwort and the orchid would be mowed down! The flower was by nature delicate—how could it withstand the raging wind? The willow was by nature sorrowful—how could it endure the sudden downpour? When by chance she encountered the slander of venomous tongues, she fell gravely ill. So her cherry-red lips faded, and her voice came out in moans; her apricot cheeks lost their fragrance, and her complexion grew sallow and pinched. Defamatory whispers issued from behind the screens; brambles and thorns spread across doors and windows. If it was not that she invited blame and was thus supplanted, it was truly that she endured slander and met her end. She bore inexpressible grief in the depths of darkness; she suffered endless wrongs without redress. Her high standards aroused envy—the lady's chamber mourned as deeply as Changsha; her upright virtue brought peril—the gentlewoman's fate was more tragic than the slaughter at the wilds of Yu. She harbored bitterness all her own—who pitied her untimely death? The fairy clouds have scattered, and her fragrant footprints can no longer be found. The isle of Juku is lost—where could one obtain the resurrection incense? The magic raft of the sea is gone—the elixir of restoring life cannot be procured. Your dark brows, like misty blue—yesterday it was I who painted them; your jade ring is cold—for whom will it be warmed now? The remaining medicine in the censer is still there; the traces of tears on your garment are still damp. The mirror is divided and the phoenix parted—sorrow opens the toilet case of Sheyue; the comb has turned to a dragon and flown away—grief snaps the teeth of Tan Yun's comb. The golden hairpin lies abandoned among the weeds; the kingfisher-feather ornament is picked up from the dust. The building is empty, the magpie tower stands idle—in vain are the needles hung for the Seventh Evening; the girdle of mandarin ducks is broken—who will continue the five-colored thread?

Moreover, it is the season of metal, when the White Autumn Emperor holds sway. In the solitary coverlet there are dreams; in the empty chamber there is no one. The moon is dark on the paulownia steps—her fragrant soul and lovely shadow have vanished together. The lotus-scented canopy's perfume is spent—her delicate breathing and soft whisperings have both ceased. The withered grass stretches to the sky—is it only the reeds? The sound of grief covers the earth—is it only the crickets? Dew and moss on the evening terrace—no sound of the cold fulling-stone passes through the curtain; rain on the lichee by the autumn wall—from the next courtyard, one scarcely hears the plaintive flute. Her fragrant name has not yet faded—the parrot before the eaves still calls her; her beauteous form is about to perish—the crabapple beyond the railing has already grown old. Behind the screen where she used to play hide-and-seek—the lotus petals are silent; in the courtyard where she used to contest with flowers and grasses—the orchid sprouts wait in vain. The embroidered thread lies cast aside—who now will cut the colored silk from the silver paper? The icy silk is broken—the perfumed gold brazier has not yet pressed it.

Yesterday, receiving your stern command, I drove the carriage to journey far to the Fragrant Garden; today, offending your merciful authority, I lean on my staff and suddenly abandon her lonely coffin. And when I heard that the coffin had been consumed by fire, I was ashamed to have broken our vow to share the same grave; when the stone sarcophagus was ruined by disaster, I was shamed to face the reproach of failing to become dust together.

Now the west wind blows through the ancient temple, where the green phosphorescent lights linger; the setting sun falls on the desolate mound, where white bones lie scattered. The catalpas and elms rustle; the artemisia and mugwort sigh. Beyond the fog-shrouded pit, the gibbons weep; around the smoke-veiled ridge, the ghosts cry. I myself knew that within the red silk curtains, the young lord's feelings were deep; now I believe that beneath the yellow earth mound, the daughter's fate was thin. The tears of blood of Runan fall, drop by drop, into the west wind; the remaining sorrow of Zize silently confuses itself to the cold month.

Alas! It is truly that dark demons brought this calamity—but could the gods also be jealous? To silence the mouths of these perverse slaves—how could I be lenient in my investigation? To tear out the hearts of these fierce women—my anger is still not assuaged! Though your earthly karma with me was shallow, yet my base devotion to you will never cease. Because I harbor this earnest thought, I cannot refrain from these earnest questions.

Now I understand that the High God has unfurled his banner, awaiting a scribe in the Flower Palace. In life you belonged to the company of orchids and irises; in death you govern the lotus. Listening to the words of the little maid, it seemed far-fetched and baseless; but considering it with my turbid mind, I find it deeply well-founded. Why? In the past, Ye Fazhan captured a soul to compose a stele, and Li Changji was summoned by imperial decree to write a record. Though the matters were different, the principle is the same. Therefore, one matches a thing with a worthy person—if it were not the right person, would it not be an abuse of the position? Now I believe that the High God's entrustment of authority and judgment can be called perfectly fitting and perfectly just, so that the gifts with which you were endowed would not be wasted.

Therefore, hoping that your unforgetting spirit may perhaps descend or ascend to this place, and not fearing that my vulgar and uncouth words might defile your intelligent hearing, I sing to summon you:

Oh, why is the sky so vast and blue—riding the jade dragon to roam the vault of heaven?

Oh, why is the earth so boundless and wide—driving the chariot of precious jade to descend to the springs and the soil?

I gaze at the scattered canopy of umbrellas—is it the light of the Winnowing Basket and the Tail?

Ranks of feathered streamers lead the way before—guarding the perilful void beside?

I drive Fenglong as my attendant—the moon-goddess Wangshu leads the way?

I hear the creaking of the chariot tracks—driving the phoenixes and the mandarin ducks on the journey?

I ask of the rich, hidden fragrance—tying sweet thoroughworts to make a sash?

Your skirts and trains glitter and shimmer—carved from the bright moon to make earrings?

I weave luxuriant flowers to form a raised altar—kindle the lotus flame to burn the orchid oil?

I carve gourds to make goblets and wine-cups—strain the clear wine to float the cinnamon brew?

I gaze at the clouds and vapors, gazing fixedly—as if seeing something afar?

I bend down to the graceful depths, pricking my ears—as if hearing something faintly?

I hope to roam the boundless void without obstruction—how can you bear to cast me away in the dust?

I implore the Wind God to drive a chariot for me—hoping to join the reins and bring you back?

My heart within is filled with grief—what is the use of crying out in vain?

You lie in repose, slumbering long—is it that the course of Heaven has changed at this point?

Since your burial is secure and peaceful—returning to your true state, what further transformation would there be?

I am still bound and suspended—your spirit condescends to summon me with a sigh?

Come! Stay! Oh, come, my lady!

If one dwells in the primeval mist and abides in stillness and quiet, even though he comes to this place, I cannot perceive him. He draws up trailing mist and vines to make a walking screen and ranks the sweet flags and rushes like a bristling formation. He warns the willow eyes against too deep a slumber and frees the lotus hearts from their bitter taste. The Maid of White is invited to the Cassian Rocks, and the Goddess of the River Luo welcomes him at the Orchid Isle. Nongyu plays the sheng, and Hanhuang strikes the yu. He summons the Lady of Mount Song and awakens the Old Mother of Mount Li. The turtle reveals its magic at the Luo Ford, and the beasts perform the Xianchi dance. Dragons lurk in the Red River and sing; phoenixes gather in the Pearl Grove and soar. With reverence and sincerity, without baskets or vessels, he sets forth from the City of Rosy Clouds and returns his banners to the Dark Garden. Now seeming near and now again obscure, now dim and now abruptly blocked—parting and joining like mist and clouds, hazy and blurred like fog and rain. When the dust clears and the stars are high, the streams and mountains are lovely beneath the bright moon. Why is my heart so troubled, as vivid as waking and dreaming? I heave a sigh and gaze in sorrow, weeping and wandering in distress. Human voices are still and faint; the sounds of nature are the rustling of bamboo. Birds startle and scatter in flight; fish rise and splash with a sound. In grief I offer this prayer; in completing the rites I pray for auspiciousness. Alas! May the spirit accept the offering!

When he had finished reading, he burned the silk and offered the tea, yet still lingered, reluctant to leave. The little maid urged him again and again before he finally turned to go. Suddenly, from behind the rocks, someone laughed and said, "Please wait a moment." Hearing this, they both started. The little maid turned and saw a figure walking out from among the hibiscus flowers. She cried out, "Oh no, there's a ghost! Qingwen's spirit has truly appeared!" Startled, Baoyu hurriedly looked—but listen to the next chapter for what happened.

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第七十八回 老學士閒徵姽嫿詞 痴公子杜撰芙蓉誄

話說兩個尼姑領了芳官等去後,王夫人便往賈母處來省晨,見賈母喜歡,便趁便回道:“寶玉屋里有個晴雯,那個丫頭也大了,而且一年之間,病不離身,我常見他比別人分外淘氣,也懶,前日又病倒了十幾天,叫大夫瞧,說是女兒癆,所以我就赶著叫他下去了。若養好了也不用叫他進來,就賞他家配人去也罷了。再那幾個學戲的女孩子,我也作主放出去了。一則他們都會戲,口里沒輕沒重,只會混說,女孩兒們聽了如何使得?二則他們既唱了會子戲,白放了他們,也是應該的。況丫頭們也太多,若說不夠使,再挑上幾個來也是一樣。”賈母聽了,點頭道:“這倒是正理,我也正想著如此呢。但晴雯那丫頭我看他甚好,怎麼就這樣起來。我的意思這些丫頭的模樣爽利言談針線多不及他,將來只他還可以給寶玉使喚得。誰知變了。”王夫人笑道:“老太太挑中的人原不錯。只怕他命里沒造化,所以得了這個病。俗語又說,‘女大十八變’。況且有本事的人,未免就有些調歪。老太太還有什麼不曾經驗過的。三年前我也就留心這件事。先只取中了他,我便留心。冷眼看去,他色色雖比人強,只是不大沉重。若說沉重知大禮,莫若襲人第一。雖說賢妻美妾,然也要性情和順舉止沉重的更好些。就是襲人模樣雖比晴雯略次一等,然放在房里,也算得一二等的了。況且行事大方,心地老實,這幾年來,從未逢迎著寶玉淘氣。凡寶玉十分胡鬧的事,他只有死勸的。因此品擇了二年,一點不錯了,我就悄悄的把他丫頭的月分錢止住,我的月分銀子里批出二兩銀子來給他。不過使他自己知道越發小心學好之意。且不明說者,一則寶玉年紀尚小,老爺知道了又恐說耽誤了書,二則寶玉再自為已是跟前的人不敢勸他說他,反倒縱性起來。所以直到今日才回明老太太。”賈母聽了,笑道:“原來這樣,如此更好了。襲人本來從小兒不言不語,我只說他是沒嘴的葫蘆。既是你深知,豈有大錯誤的。而且你這不明說與寶玉的主意更好。且大家別提這事,只是心里知道罷了。我深知寶玉將來也是個不聽妻妾勸的。我也解不過來,也從未見過這樣的孩子。別的淘氣都是應該的,只他這种和丫頭們好卻是難懂。我為此也耽心,每每的冷眼查看他。只和丫頭們鬧,必是人大心大,知道男女的事了,所以愛親近他們。既細細查試,究竟不是為此。豈不奇怪。想必原是個丫頭錯投了胎不成。”說著,大家笑了。王夫人又回今日賈政如何夸獎,又如何帶他們逛去,賈母聽了,更加喜悅。

一時,只見迎春妝扮了前來告辭過去。鳳姐也來省晨,伺候過早飯,又說笑了一回。賈母歇晌後,王夫人便喚了鳳姐,問他丸藥可曾配來。鳳姐兒道:“還不曾呢,如今還是吃湯藥。太太只管放心,我已大好了。”王夫人見他精神复初,也就信了。因告訴攆逐晴雯等事,又說:“怎麼寶丫頭私自回家睡了,你們都不知道?我前兒順路都查了一查。誰知蘭小子這一個新進來的奶子也十分的妖喬,我也不喜歡他。我也說與你嫂子了,好不好叫他各自去罷。況且蘭小子也大了,用不著奶子了。我因問你大嫂子:‘寶丫頭出去難道你也不知道不成?’他說是告訴了他的,不過住兩三日,等你姨媽好了就進來。姨媽究竟沒甚大病,不過還是咳嗽腰疼,年年是如此的。他這去必有原故,敢是有人得罪了他不成?那孩子心重,親戚們住一場,別得罪了人,反不好了。”鳳姐笑道:“誰可好好的得罪著他?況且他天天在園里,左不過是他們姊妹那一群人。”王夫人道:“別是寶玉有嘴無心,傻子似的從沒個忌諱,高興了信嘴胡說也是有的。”鳳姐笑道:“這可是太太過于操心了。若說他出去于正經事說正經話去,卻象個傻子,若只叫進來在這些姊妹跟前以至于大小的丫頭們跟前,他最有盡讓,又恐怕得罪了人,那是再不得有人惱他的。我想薛妹妹此去,想必為著前時搜檢眾丫頭的東西的原故。他自然為信不及園里的人才搜檢,他又是親戚,現也有丫頭老婆在內,我們又不好去搜檢,恐我們疑他,所以多了這個心,自己回避了。也是應該避嫌疑的。”王夫人聽了這話不錯,自己遂低頭想了一想,便命人請了寶釵來分晰前日的事以解他疑心,又仍命他進來照舊居住。寶釵陪笑道:“我原要早出去的,只是姨娘有許多的大事,所以不便來說。可巧前日媽又不好了,家里兩個靠得的女人也病著,我所以趁便出去了。姨娘今日既已知道了,我正好明講出情理來,就從今日辭了好搬東西的。”王夫人鳳姐都笑著:“你太固執了。正經再搬進來為是,休為沒要緊的事反疏遠了親戚。”寶釵笑道:“這話說的太不解了,并沒為什麼事我出去。我為的是媽近來神思比先大減,而且夜間晚上沒有得靠的人,通共只我一個。二則如今我哥哥眼看要娶嫂子,多少針線活計并家里一切動用的器皿,尚有未齊備的,我也須得幫著媽去料理料理。姨媽和鳳姐姐都知道我們家的事,不是我撒謊。三則自我在園里,東南上小角門子就常開著,原是為我走的,保不住出入的人就圖省路也從那里走,又沒人盤查,設若從那里生出一件事來,豈不兩礙臉面。而且我進園里來住原不是什麼大事,因前幾年年紀皆小,且家里沒事,有在外頭的,不如進來姊妹相共,或作針線,或頑笑,皆比在外頭悶坐著好,如今彼此都大了,也彼此皆有事。況姨娘這邊歷年皆遇不遂心的事故,那園子也太大,一時照顧不到,皆有關系,惟有少幾個人,就可以少操些心。所以今日不但我執意辭去,之外還要勸姨娘如今該減些的就減些,也不為失了大家的体統。据我看,園里這一項費用也竟可以免的,說不得當日的話。姨娘深知我家的,難道我們當日也是這樣冷落不成。”鳳姐聽了這篇話,便向王夫人笑道:“這話竟是,不必強了。”王夫人點頭道:“我也無可回答,只好隨你便罷了。”

話說之間,只見寶玉等已回來,因說他父親還未散,恐天黑了,所以先叫我們回來了。王夫人忙問:“今日可有丟了丑?”寶玉笑道:“不但不丟丑,倒拐了許多東西來。”接著,就有老婆子們從二門上小廝手內接了東西來。王夫人一看時,只見扇子三把,扇墜三個,筆墨共六匣,香珠三串,玉絛環三個。寶玉說道:“這是梅翰林送的,那是楊侍郎送的,這是李員外送的,每人一分。”說著,又向怀中取出一個旃檀香小護身佛來,說:“這是慶國公單給我的。”王夫人又問在席何人,作何詩詞等語畢,只將寶玉一分令人拿著,同寶玉蘭環前來見過賈母。賈母看了,喜歡不盡,不免又問些話。無奈寶玉一心記著晴雯,答應完了話時,便說騎馬顛了,骨頭疼。賈母便說:“快回房去換了衣服,疏散疏散就好了,不許睡倒。”寶玉聽了,便忙入園來。

當下麝月秋紋已帶了兩個丫頭來等候,見寶玉辭了賈母出來,秋紋便將筆墨拿起來,一同隨寶玉進園來。寶玉滿口里說”好熱”,一壁走,一壁便摘冠解帶,將外面的大衣服都脫下來麝月拿著,只穿著一件松花綾子夾襖,襖內露出血點般大紅褲子來。秋紋見這條紅褲是晴雯手內針線,因歎道:“這條褲子以後收了罷,真是物件在人去了。”麝月忙也笑道:“這是晴雯的針線。”又歎道:“真真物在人亡了!”秋紋將麝月拉了一把,笑道:“這褲子配著松花色襖兒,石青靴子,越顯出這靛青的頭,雪白的臉來了。”寶玉在前只裝聽不見,又走了兩步,便止步道:“我要走一走,這怎麼好?”麝月道:“大白日里,還怕什麼?還怕丟了你不成!”因命兩個小丫頭跟著,”我們送了這些東西去再來。”寶玉道:“好姐姐,等一等我再去。”麝月道:“我們去了就來。兩個人手里都有東西,倒向擺執事的,一個捧著文房四寶,一個捧著冠袍帶履,成個什麼樣子。”寶玉聽見,正中心怀,便讓他兩個去了。

他便帶了兩個小丫頭到一石後,也不怎麼樣,只問他二人道:“自我去了,你襲人姐姐打發人瞧晴雯姐姐去了不曾?”這一個答道:“打發宋媽媽瞧去了。”寶玉道:“回來說什麼?”小丫頭道:“回來說晴雯姐姐直著脖子叫了一夜,今日早起就閉了眼,住了口,世事不知,也出不得一聲兒,只有倒氣的分兒了。”寶玉忙道:“一夜叫的是誰?”小丫頭子說:“一夜叫的是娘。”寶玉拭淚道:“還叫誰?”小丫頭子道:“沒有聽見叫別人了。”寶玉道:“你糊涂,想必沒有聽真。”旁邊那一個小丫頭最伶俐,聽寶玉如此說,便上來說:“真個他糊涂。”又向寶玉道:“不但我聽得真切,我還親自偷著看去的。”寶玉聽說,忙問:“你怎麼又親自看去?”小丫頭道:“我因想晴雯姐姐素日與別人不同,待我們极好。如今他雖受了委屈出去,我們不能別的法子救他,只親去瞧瞧,也不枉素日疼我們一場。就是人知道了回了太太,打我們一頓,也是願受的。所以我拚著挨一頓打,偷著下去瞧了一瞧。誰知他平生為人聰明,至死不變。他因想著那起俗人不可說話,所以只閉眼養神,見我去了便睜開眼,拉我的手問:‘寶玉那去了?’我告訴他實情。他歎了一口氣說:‘不能見了。’我就說:‘姐姐何不等一等他回來見一面,豈不兩完心願?’他就笑道:‘你們還不知道。我不是死,如今天上少了一位花神,玉皇敕命我去司主。我如今在未正二刻到任司花,寶玉須待未正三刻才到家,只少得一刻的工夫,不能見面。世上凡該死之人閻王勾取了過去,是差些小鬼來捉人魂魄。若要遲延一時半刻,不過燒些紙錢澆些漿飯,那鬼只顧搶錢去了,該死的人就可多待些個工夫。我這如今是有天上的神仙來召請,豈可捱得時刻!’我聽了這話,竟不大信,及進來到房里留神看時辰表時,果然是未正二刻他咽了氣,正三刻上就有人來叫我們,說你來了。這時候倒都對合。”寶玉忙道:“你不識字看書,所以不知道。這原是有的,不但花有個神,一樣花有一位神之外還有總花神。但他不知是作總花神去了,還是單管一樣花的神?”這丫頭聽了,一時謅不出來。恰好這是八月時節,園中池上芙蓉正開。這丫頭便見景生情,忙答道:“我也曾問他是管什麼花的神,告訴我們日後也好供養的。他說:‘天机不可泄漏。你既這樣虔誠,我只告訴你,你只可告訴寶玉一人。除他之外若泄了天机,五雷就來轟頂的。’他就告訴我說,他就是專管這芙蓉花的。”寶玉聽了這話,不但不為怪,亦且去悲而生喜,乃指芙蓉笑道:“此花也須得這樣一個人去司掌。我就料定他那樣的人必有一番事業做的。雖然超出苦海,從此不能相見,也免不得傷感思念。”因又想:“雖然臨終未見,如今且去靈前一拜,也算盡這五六年的情常。”

想畢忙至房中,又另穿戴了,只說去看黛玉,遂一人出園來,往前次之處去,意為停柩在內。誰知他哥嫂見他一咽氣便回了進去,希圖早些得幾兩發送例銀。王夫人聞知,便命賞了十兩燒埋銀子。又命:“即刻送到外頭焚化了罷。女兒癆死的,斷不可留!”他哥嫂聽了這話,一面得銀,一面就雇了人來入殮,抬往城外化人場上去了。剩的衣履簪環,約有三四百金之數,他兄嫂自收了為後日之計。二人將門鎖上,一同送殯去未回。寶玉走來扑了個空。寶玉自立了半天,別無法兒,只得复身進入園中。待回至房中,甚覺無味,因乃順路來找黛玉。偏黛玉不在房中,問其何往,丫鬟們回說:“往寶姑娘那里去了。”寶玉又至蘅蕪苑中,只見寂靜無人,房內搬的空空落落的,不覺吃一大驚。忽見個老婆子走來,寶玉忙問這是什麼原故。老婆子道:“寶姑娘出去了。這里交我們看著,還沒有搬清楚。我們幫著送了些東西去,這也就完了。你老人家請出去罷,讓我們掃掃灰塵也好,從此你老人家省跑這一處的腿子了。”寶玉聽了,怔了半天,因看著那院中的香藤异蔓,仍是翠翠青青,忽比昨日好似改作凄涼了一般,更又添了傷感。默默出來,又見門外的一條翠樾埭上也半日無人來往,不似當日各處房中丫鬟不約而來者絡繹不絕。又俯身看那埭下之水,仍是溶溶脈脈的流將過去。心下因想:“天地間竟有這樣無情的事!”悲感一番,忽又想到去了司棋,入畫,芳官等五個,死了晴雯,今又去了寶釵等一處,迎春雖尚未去,然連日也不見回來,且接連有媒人來求親:大約園中之人不久都要散的了。縱生煩惱,也無濟于事。不如還是找黛玉去相伴一日,回來還是和襲人廝混,只這兩三個人,只怕還是同死同歸的。想畢,仍往瀟湘館來,偏黛玉尚未回來。寶玉想亦當出去候送才是,無奈不忍悲感,還是不去的是,遂又垂頭喪氣的回來。

正在不知所以之際,忽見王夫人的丫頭進來找他說:“老爺回來了,找你呢,又得了好題目來了。快走,快走。”寶玉聽了,只得跟了出來。到王夫人房中,他父親已出去了。王夫人命人送寶玉至書房中。

彼時賈政正與眾幕友們談論尋秋之胜,又說:“快散時忽然談及一事,最是千古佳談,‘風流雋逸,忠義慷慨’八字皆備,倒是個好題目,大家要作一首挽詞。”眾幕賓聽了,都忙請教是系何等妙事。賈政乃道:“當日曾有一位王封曰恒王,出鎮青州。這恒王最喜女色,且公余好武,因選了許多美女,日習武事。每公余輒開宴連日,令眾美女習戰斗功拔之事。其姬中有姓林行四者,姿色既冠,且武藝更精,皆呼為林四娘。恒王最得意,遂超拔林四娘統轄諸姬,又呼為‘姽嫿將軍’。“眾清客都稱”妙极神奇。竟以‘姽嫿’下加‘將軍’二字,反更覺嫵媚風流,真絕世奇文也。想這恒王也是千古第一風流人物了。”賈政笑道:“這話自然是如此,但更有可奇可歎之事。”眾清客都愕然驚問道:“不知底下有何奇事?”賈政道:“誰知次年便有‘黃巾’‘赤眉’一干流賊余党复又烏合,搶掠山左一帶。恒王意為犬羊之惡,不足大舉,因輕騎前剿。不意賊眾頗有詭譎智術,兩戰不胜,恒王遂為眾賊所戮。于是青州城內文武官員,各各皆謂‘王尚不胜,你我何為!’遂將有獻城之舉。林四娘得聞凶報,遂集聚眾女將,發令說道:‘你我皆向蒙王恩,戴天履地,不能報其萬一。今王既殞身國事,我意亦當殞身于王。爾等有願隨者,即時同我前往,有不願者,亦早各散。’眾女將聽他這樣,都一齊說願意。于是林四娘帶領眾人連夜出城,直殺至賊營里頭。眾賊不防,也被斬戮了幾員首賊。然後大家見是不過幾個女人,料不能濟事,遂回戈倒兵,奮力一陣,把林四娘等一個不曾留下,倒作成了這林四娘的一片忠義之志。後來報至中都,自天子以至百官,無不驚駭道奇。其後朝中自然又有人去剿滅,天兵一到,化為烏有,不必深論。只就林四娘一節,眾位聽了,可羡不可羡呢?”眾幕友都歎道:“實在可羡可奇,實是個妙題,原該大家挽一挽才是。”說著,早有人取了筆硯,按賈政口中之言稍加改易了幾個字,便成了一篇短序,遞與賈政看了。賈政道:“不過如此。他們那里已有原序。昨日因又奉恩旨,著察核前代以來應加褒獎而遺落未經請奏各項人等,無論僧尼乞丐與女婦人等,有一事可嘉,即行匯送履歷至禮部備請恩獎。所以他這原序也送往禮部去了。大家聽見這新聞,所以都要作一首《姽嫿詞》,以志其忠義。”眾人聽了,都又笑道:“這原該如此。只是更可羡者,本朝皆系千古未有之曠典隆恩,實歷代所不及處,可謂‘圣朝無闕事’,唐朝人預先竟說了,竟應在本朝。如今年代方不虛此一句。”賈政點頭道:“正是。”

說話間,賈環叔侄亦到。賈政命他們看了題目。他兩個雖能詩,較腹中之虛實雖也去寶玉不遠,但第一件他兩個終是別路,若論舉業一道,似高過寶玉,若論雜學,則遠不能及,第二件他二人才思滯鈍,不及寶玉空靈娟逸,每作詩亦如八股之法,未免拘板庸澀。那寶玉雖不算是個讀書人,然虧他天性聰敏,且素喜好些雜書,他自為古人中也有杜撰的,也有誤失之處,拘較不得許多,若只管怕前怕後起來,縱堆砌成一篇,也覺得甚無趣味。因心里怀著這個念頭,每見一題,不拘難易,他便毫無費力之處,就如世上的流嘴滑舌之人,無風作有,信著伶口俐舌,長篇大論,胡扳亂扯,敷演出一篇話來。雖無稽考,卻都說得四座春風。雖有正言厲語之人,亦不得壓倒這一种風流去。近日賈政年邁,名利大灰,然起初天性也是個詩酒放誕之人,因在子侄輩中,少不得規以正路。近見寶玉雖不讀書,竟頗能解此,細評起來,也還不算十分玷辱了祖宗。就思及祖宗們,各各亦皆如此,雖有深精舉業的,也不曾發跡過一個,看來此亦賈門之數。況母親溺愛,遂也不強以舉業逼他了。所以近日是這等待他。又要環蘭二人舉業之余,怎得亦同寶玉才好,所以每欲作詩,必將三人一齊喚來對作。

閒言少述。且說賈政又命他三人各吊一首,誰先成者賞,佳者額外加賞。賈環賈蘭二人近日當著多人皆作過幾首了,膽量逾壯,今看了題,遂自去思索。一時,賈蘭先有了。賈環生恐落後也就有了。二人皆已錄出,寶玉尚出神。賈政與眾人且看他二人的二首。賈蘭的是一首七言絕,寫道是:

姽嫿將軍林四娘,玉為肌骨鐵為腸,

捐軀自報恒王後,此日青州土亦香。

眾幕賓看了,便皆大贊:“小哥兒十三歲的人就如此,可知家學淵源,真不誣矣。”賈政笑道:“稚子口角,也還難為他。”又看賈環的,是首五言律,寫道是:

紅粉不知愁,將軍意未休。

掩啼離繡幕,抱恨出青州。

自謂酬王德,詎能复寇仇。

誰題忠義墓,千古獨風流。

眾人道:“更佳。倒是大幾歲年紀,立意又自不同。”賈政道:“還不甚大錯,終不懇切。”眾人道:“這就罷了。三爺才大不多兩歲,在未冠之時如此,用了工夫,再過幾年,怕不是大阮小阮了。”賈政道:“過獎了。只是不肯讀書過失。”因又問寶玉怎樣。眾人道:“二爺細心鏤刻,定又是風流悲感,不同此等的了。”寶玉笑道:“這個題目似不稱近体,須得古体,或歌或行,長篇一首,方能懇切。”眾人聽了,都立身點頭拍手道:“我說他立意不同!每一題到手必先度其体格宜與不宜,這便是老手妙法。就如裁衣一般,未下剪時,須度其身量。這題目名曰《姽嫿詞》,且既有了序,此必是長篇歌行方合体的。或擬白樂天《長恨歌》,或擬詠古詞,半敘半詠,流利飄逸,始能近妙。”賈政聽說,也合了主意,遂自提筆向紙上要寫,又向寶玉笑道:“如此,你念我寫。不好了,我捶你那肉。誰許你先大言不慚了!”寶玉只得念了一句,道是:

恒王好武兼好色,

賈政寫了看時,搖頭道:“粗鄙。”一幕賓道:“要這樣方古,究竟不粗。且看他底下的。”賈政道:“姑存之。”寶玉又道:

遂教美女習騎射。

穠歌艷舞不成歡,列陣挽戈為自得。

賈政寫出,眾人都道:“只這第三句便古朴老健,极妙。這四句平敘出,也最得体。”賈政道:“休謬加獎譽,且看轉的如何。”寶玉念道:

眼前不見塵沙起,將軍俏影紅燈里。

眾人聽了這兩句,便都叫:“妙!好個‘不見塵沙起’!又承了一句‘俏影紅燈里’,用字用句,皆入神化了。”寶玉道:

叱吒時聞口舌香,霜矛雪劍嬌難舉。

眾人聽了,便拍手笑道:“益發畫出來了。當日敢是寶公也在座,見其嬌且聞其香否?不然,何体貼至此。”寶玉笑道:“閨閣習武,任其勇悍,怎似男人。不待問而可知嬌怯之形的了。”賈政道:“還不快續,這又有你說嘴的了。”寶玉只得又想了一想,念道:

丁香結子芙蓉絛,

眾人都道:“轉‘絛’,‘蕭’韻,更妙,這才流利飄蕩。而且這一句也綺靡秀媚的妙。”賈政寫了,看道:“這一句不好。已寫過‘口舌香’‘嬌難舉’,何必又如此。這是力量不加,故又用這些堆砌貨來搪塞。”寶玉笑道:“長歌也須得要些詞藻點綴點綴,不然便覺蕭索。”賈政道:“你只顧用這些,但這一句底下如何能轉至武事?若再多說兩句,豈不蛇足了。”寶玉道:“如此,底下一句轉煞住,想亦可矣。”賈政冷笑道:“你有多大本領?上頭說了一句大開門的散話,如今又要一句連轉帶煞,豈不心有余而力不足些。”寶玉聽了,垂頭想了一想,說了一句道:

不繫明珠繫寶刀。

忙問:“這一句可還使得?”眾人拍案叫絕。賈政寫了,看著笑道:“且放著,再續。”寶玉道:“若使得,我便要一氣下去了。若使不得,越性涂了,我再想別的意思出來,再另措詞。”賈政聽了,便喝道:“多話!不好了再作,便作十篇百篇,還怕辛苦了不成!”寶玉聽說,只得想了一會,便念道:

戰罷夜闌心力怯,脂痕粉漬污鮫鮹。

賈政道:“又一段。底下怎樣?”寶玉道:

明年流寇走山東,強吞虎豹勢如蜂。

眾人道:“好個‘走’字!便見得高低了。且通句轉的也不板。”寶玉又念道:

王率天兵思剿滅,一戰再戰不成功。

腥風吹折隴頭麥,日照旌旗虎帳空。

青山寂寂水澌澌,正是恒王戰死時。

雨淋白骨血染草,月冷黃沙鬼守尸。

眾人都道:“妙极,妙极!布置,敘事,詞藻,無不盡美。且看如何至四娘,必另有妙轉奇句。”寶玉又念道:

紛紛將士只保身,青州眼見皆灰塵,

不期忠義明閨閣,憤起恒王得意人。

眾人都道:“舖敘得委婉。”賈政道:“太多了,底下只怕累贅呢。”寶玉乃又念道:

恒王得意數誰行,姽嫿將軍林四娘,

號令秦姬驅趙女,艷李穠桃臨戰場。

繡鞍有淚春愁重,鐵甲無聲夜氣涼。

胜負自然難預定,誓盟生死報前王。

賊勢猖獗不可敵,柳折花殘實可傷,

魂依城郭家鄉近,馬踐胭脂骨髓香。

星馳時報入京師,誰家兒女不傷悲!

天子驚慌恨失守,此時文武皆垂首。

何事文武立朝綱,不及閨中林四娘!

我為四娘長太息,歌成余意尚傍徨。

念畢,眾人都大贊不止,又都從頭看了一遍。賈政笑道:“雖然說了幾句,到底不大懇切。”因說:“去罷。”三人如得了赦的一般,一齊出來,各自回房。

眾人皆無別話,不過至晚安歇而已。獨有寶玉一心凄楚,回至園中,猛然見池上芙蓉,想起小丫鬟說晴雯作了芙蓉之神,不覺又喜歡起來,乃看著芙蓉嗟歎了一會。忽又想起死後并未到靈前一祭,如今何不在芙蓉前一祭,豈不盡了禮,比俗人去靈前祭吊又更覺別致。想畢,便欲行禮。忽又止住道:“雖如此,亦不可太草率,也須得衣冠整齊,奠儀周備,方為誠敬。”想了一想,”如今若學那世俗之奠禮,斷然不可,竟也還別開生面,另立排場,風流奇异,于世無涉,方不負我二人之為人。況且古人有云:“潢污行潦,蘋蘩蘊藻之賤,可以羞王公,荐鬼神。’原不在物之貴賤,全在心之誠敬而已。此其一也。二則誄文挽詞也須另出己見,自放手眼,亦不可蹈襲前人的套頭,填寫幾字搪塞耳目之文,亦必須灑淚泣血,一字一咽,一句一啼,宁使文不足悲有余,萬不可尚文藻而反失悲戚。況且古人多有微詞,非自我今作俑也。奈今人全惑于功名二字,尚古之風一洗皆盡,恐不合時宜,于功名有礙之故。我又不希罕那功名,不為世人觀閱稱贊,何必不遠師楚人之《大言》、《招魂》、《離騷》、《九辯》、《枯樹》、《問難》、《秋水》、《大人先生傳》等法,或雜參單句,或偶成短聯,或用實典,或設譬寓,隨意所之,信筆而去,喜則以文為戲,悲則以言誌痛,辭達意盡為止,何必若世俗之拘拘于方寸之間哉。”寶玉本是個不讀書之人,再心中有了這篇歪意,怎得有好詩文作出來。他自己卻任意纂著,并不為人知慕,所以大肆妄誕,竟杜撰成一篇長文,用晴雯素日所喜之冰鮫穀一幅楷字寫成,名曰《芙蓉女兒誄》,前序後歌。又備了四樣晴雯所喜之物,于是夜月下,命那小丫頭捧至芙蓉花前。先行禮畢,將那誄文即挂于芙蓉枝上,乃泣涕念曰:

維太平不易之元,蓉桂競芳之月,無可奈何之日,怡紅院濁玉,謹以群花之蕊、冰鮫之縠、沁芳之泉、楓露之茗,四者雖微,聊以達誠申信,乃致祭於白帝宮中撫司秋艷芙蓉女兒之前曰:

竊思女兒自臨濁世,迄今凡十有六載。其先之鄉籍姓氏,湮淪而莫能考者久矣。而玉得於衾枕櫛沐之間,栖息宴游之夕,親昵狎褻,相與共處者,僅五年八月有畸。憶女兒曩生之昔,其為質則金玉不足喻其貴,其為性則冰雪不足喻其潔,其為神則星日不足喻其精,其為貌則花月不足喻其色。姊妹悉慕媖嫻,嫗媼咸仰惠德。孰料鳩鴆惡其高,鷹鷙翻遭罦罬,薋葹妒其臭,茞蘭竟被芟鉏!花原自怯,豈奈狂飆,柳本多愁,何禁驟雨。偶遭蠱蠆之讒,遂抱膏肓之疚。故爾櫻唇紅褪,韻吐呻吟,杏臉香枯,色陳顑頷,諑謠謑詬,出自屏幃,荊棘蓬榛,蔓延戶牖。豈招尤則替,實攘詬而終。既忳幽沉於不盡,復含罔屈於無窮。高標見嫉,閨幃恨比長沙,直烈遭危,巾幗慘於羽野。自蓄辛酸,誰憐夭折!仙雲既散,芳趾難尋。洲迷聚窟,何來卻死之香?海失靈槎,不獲回生之藥。眉黛煙青,昨猶我畫,指環玉冷,今倩誰溫?鼎爐之剩藥猶存,襟淚之餘痕尚漬。鏡分鸞別,愁開麝月之奩,梳化龍飛,哀折檀雲之齒。委金鈿於草莽,拾翠㔩於塵埃。樓空鳷鵲,徒懸七夕之針,帶斷鴛鴦,誰續五絲之縷?況乃金天屬節,白帝司時,孤衾有夢,空室無人。桐階月暗,芳魂與倩影同銷,蓉帳香殘,嬌喘共細言皆絕。連天衰草,豈獨蒹葭,匝地悲聲,無非蟋蟀。露苔晚砌,穿簾不度寒砧,雨荔秋垣,隔院希聞怨笛。芳名未泯,檐前鸚鵡猶呼,艷質將亡,檻外海棠預老。捉迷屏後,蓮瓣無聲,鬪草庭前,蘭芽枉待。拋殘繡線,銀箋彩縷誰裁?折斷冰絲,金斗御香未熨。昨承嚴命,既趨車而遠涉芳園,今犯慈威,復拄杖而遽拋孤柩。及聞槥棺被燹,慚違共穴之盟,石槨成災,愧迨同灰之誚。爾乃西風古寺,淹滯青燐,落日荒丘,零星白骨。楸榆颯颯,蓬艾蕭蕭。隔霧壙以啼猿,繞煙塍而泣鬼。自為紅綃帳裏,公子情深,始信黃土壟中,女兒命薄!汝南淚血,斑斑灑向西風,梓澤餘衷,默默訴憑冷月。嗚呼!固鬼蜮之為災,豈神靈而亦妒。鉗詖奴之口,討豈從寬,剖悍婦之心,忿猶未釋!在君之塵緣雖淺,然玉之鄙意豈終。因蓄拳拳之思,不禁諄諄之問。始知上帝垂旌,花宮待詔,生儕蘭蕙,死轄芙蓉。聽小婢之言,似涉無稽,以濁玉之思,則深為有據。何也?昔葉法善攝魂以撰碑,李長吉被詔而為記,事雖殊,其理則一也。故相物以配才,苟非其人,惡乃濫乎?始信上帝委託權衡,可謂至洽至協,庶不負其所秉賦也。因希其不昧之靈,或陟降於茲,特不揣鄙俗之詞,有污慧聽。乃歌而招之曰:

天何如是之蒼蒼兮,乘玉虯以游乎穹窿耶?

地何如是之茫茫兮,駕瑤象以降乎泉壤耶?

望傘蓋之陸离兮,抑箕尾之光耶?

列羽葆而為前導兮,衛危虛於旁耶?

驅丰隆以為比從兮,望舒月以离耶?

听車軌而伊軋兮,御鸞鷖以征耶?

問馥郁而薆然兮,紉蘅杜以為纕耶?

炫裙裾之爍爍兮,鏤明月以為璫耶?

籍葳蕤而成壇畸兮,檠蓮焰以燭蘭膏耶?

文瓟匏以為觶斝兮,漉醽醁以浮桂醑耶?

瞻雲气而凝盼兮,仿佛有所覘耶?

俯窈窕而屬耳兮,恍惚有所聞耶?

期汗漫而無夭閼兮,忍捐棄余於塵埃耶?

倩風廉之為余驅車兮,冀聯轡而攜歸耶?

余中心為之慨然兮,徒嗷嗷而何為耶?

君偃然而長寢兮,豈天運之變於斯耶?

既窀穸且安穩兮,反其真而复奚化耶?

余猶桎梏而懸附兮,靈格余以嗟來耶?

來兮止兮,君其來耶!

若夫鴻蒙而居,寂靜以處,雖臨於茲,余亦莫睹。搴煙蘿而為步幛,列槍蒲而森行伍。警柳眼之貪眠,釋蓮心之味苦。素女約于桂巖,宓妃迎於蘭渚。弄玉吹笙,寒簧擊敔。徵嵩岳之妃,啟驪山之姥。龜呈洛浦之靈,獸作咸池之舞。潛赤水兮龍吟,集珠林兮鳳翥。爰格爰誠,匪簠匪筥。發軔乎霞城,返旌乎玄圃。既顯微而若通,復氤氳而倏阻。离合兮煙雲,空蒙兮霧雨。塵霾斂兮星高,溪山麗兮月午。何心意之忡忡,若寤寐之栩栩。余乃欷歔悵望,泣涕傍徨。人語兮寂歷,天籟兮篔簹。鳥惊散而飛,魚唼喋以響。志哀兮是禱,成禮兮期祥。嗚呼哀哉!尚饗!

讀畢,遂焚帛奠茗,猶依依不舍。小鬟催至再四,方才回身。忽聽山石之後有一人笑道:“且請留步。”二人聽了,不免一驚。那小鬟回頭一看,卻是個人影從芙蓉花中走出來,他便大叫:“不好,有鬼。晴雯真來顯魂了!”唬得寶玉也忙看時,——且聽下回分解。

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