Chapter 18

第018回 · Dream of the Red Chamber

Original Chinese text from Chinese Wikisource (public domain). The translation is machine-made and may contain errors. · Original text ↗

Chapter 18

Here is the translation:

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Chapter 18: Lin Daiyu Mistakenly Cuts the Scented Pouch; Jia Yuanchun Returns Home to Celebrate the Lantern Festival

When Baoyu arrived outside the courtyard, several young servants who had been attending his father Jia Zheng threw their arms around his waist and held him fast. "We deserve the credit today," they said. "We're the ones who made His Lordship happy. The Old Lady sent people out several times to ask how you were getting on, and we told them you were doing well. Otherwise, if the Old Lady had summoned you inside, you wouldn't have had a chance to show off your talents. Everyone says the poems you wrote today are better than anything the rest of us could do. Now that you've won such a prize, you ought to reward us." Baoyu laughed and said, "One string of cash to each of you." The others said, "Who hasn't seen a string of cash! Give us your pouch instead." With that, one of them began untying his pouch, while another took off his fan case. Without giving him a chance to protest, they stripped off everything Baoyu had been wearing at his belt. Then they said, "Now take these things up properly." One of them picked Baoyu up in his arms, and several others surrounded him and carried him to the second gate of the Lady Dowager's quarters. By this time the Lady Dowager had already sent people to check several times. His nurses and maids hurried after him and, having paid their respects to the Lady Dowager and learned that he had not been made to suffer, were naturally delighted.

Presently Xiren brought tea and, seeing that not a single one of the things he had been wearing at his belt remained, said with a smile, "Your things have been taken away by those shameless creatures again." When Lin Daiyu heard this, she came over to look and found that indeed nothing remained. She turned to Baoyu and said, "Did you give them the pouch I gave you too? If you want anything of mine again, you can be sure you won't get it!" With that, she went back to her room in a huff and took out the scented sachet she had been making for Baoyu the other day—it was only half finished—and in a fit of pique, she seized it and cut it to pieces. Baoyu saw that he had upset her and knew he had been in the wrong. He hurried over, but she had already cut it through. Baoyu had seen the sachet before; although it was not yet finished, it was exquisitely made and had cost her a great deal of effort. Now to see it cut to pieces for no reason at all made him angry too. He quickly unfastened his collar and untied from inside his red-lined jacket the pouch that Daiyu had given him, and held it out for her to see. "Look at this!" he said. "When did I ever give away anything of yours?" When Lin Daiyu saw how carefully he had treasured it by wearing it inside his clothes, she realized that he had done so to prevent anyone else from taking it away. She regretted her rashness and reproached herself for having cut the sachet without first finding out the truth. Ashamed and vexed, she hung her head and said nothing. Baoyu said, "There's no need to cut it. I know you're too lazy to make things for me. How about I return this pouch to you?" With that, he tossed it into her lap and started to leave. This made Daiyu even angrier. Choking with sobs, tears began to roll down her cheeks. She picked up the pouch and cut it again. Seeing this, Baoyu hurried back and snatched it from her, laughing. "Good cousin, spare it!" Daiyu threw down the scissors, wiped her tears, and said, "Don't be nice to me one moment and nasty the next. If you're angry, just have done with me. What does this amount to?" With that, she lay down on the bed facing the wall and wiped her tears. She could not resist when Baoyu came up and began calling "Cousin" this and "Cousin" that, making apologies.

In the meantime, the Lady Dowager was calling for Baoyu from the front. The nurses and maids hurried back to say, "He's in Miss Lin's room." The Lady Dowager said, "Good, good, good! Let the cousins amuse themselves together. His father kept him at his studies all morning—let him enjoy himself for a while. Just don't let them quarrel, and don't let anyone upset him." Everyone promised to obey. Baoyu pestered Daiyu so relentlessly that she had no choice but to get up. "If you won't let me have any peace, I'll leave you," she said, and started walking out. Baoyu laughed and said, "Wherever you go, I'll follow." As he spoke, he picked up the pouch and put it on again. Daiyu reached out and snatched at it. "You said you didn't want it, and now you're wearing it again. I think you ought to be ashamed of yourself!" As she said this, she let out a little laugh. Baoyu said, "Good cousin, make me another sachet tomorrow." Daiyu said, "That depends on whether I feel like it." As they talked, the two of them left the room and went to Lady Wang's quarters, where, as it happened, Baochai was also present.

Meanwhile, Lady Wang's side of the household was in a state of great bustle. Jia Qiang had already returned from Gusu with twelve young girls he had purchased, along with instructors and all the necessary costumes and props. By this time, Aunt Xue had moved to a quiet set of rooms in the northeast corner of the compound, and the Pear Fragrance Court had long since been vacated, refurbished, and put at the disposal of the instructors for rehearsing the actresses. Lady Wang also assigned some elderly women from the household—former singers, now white-haired and bent with age—to oversee and manage the girls. Jia Qiang was put in charge of all daily expenses, disbursements of silver and cash, and the accounts for every manner of supplies and materials. Then Lin Zhixiang's wife came to report: "We have also bought ten young Buddhist nuns and Daoist novices, and twenty sets of new robes have been made for them. There is also one who wears her hair long though she is a nun—a native of Suzhou, from a family of scholars and officials. Because this girl was sickly from childhood, and no substitute novices sent in her place proved of any avail, she herself had to enter the religious life before she recovered. That is why she keeps her hair. She is eighteen this year, and her religious name is Miaoyu. Her parents are now both dead, and she has only two old nurses and one young maid to wait on her. She is extremely well read, has no need to study the sutras, and is remarkably beautiful. Having heard that in the capital Chang'an there are relics of Guanyin and palm-leaf manuscripts, she came up last year with her teacher, and is now staying at the Moumi Temple outside the West Gate. Her teacher was highly skilled in the calculation of fate by the primal numbers, and passed away last winter. Miaoyu had wished to escort the remains back to their hometown, but her teacher's dying words were: 'Your livelihood and dwelling are not suited to returning home. Remain here in seclusion, and in time your destiny will unfold of itself.' So she did not go back." Before the woman had finished, Lady Wang said, "In that case, why don't we invite her here?" Lin Zhixiang's wife replied, "We did ask her, but she said, 'A noble mansion such as yours will surely use its power and position to oppress people. I will not go.'" Lady Wang smiled. "Since she is the daughter of an official family, it is only natural that she should be proud. There can be no harm in sending a formal invitation." Lin Zhixiang's wife withdrew and gave orders to the secretary to write an invitation to Miaoyu. The next day, carriages were sent to bring her—but this is a matter for later; it cannot be related here.

At this point someone came to report that the workmen upstairs were waiting for gauze and damask to paste things and asked Lady Feng to go to the storeroom to select the materials. Someone else came to ask Lady Feng to open the treasury to receive the gold and silver vessels. Even Lady Wang and the maids in the main apartments had not a moment to themselves. Baochai said, "We are only getting in the way here. Let's go find Sister Tan." With that, she, Baoyu, and Daiyu went to Yingchun's rooms to amuse themselves. No more of this.

Lady Wang and the others were in a state of daily confusion right through to the end of the tenth month, when at last everything was ready: the overseers in every section had handed in their accounts, all the antiques and curios had been properly displayed, and every kind of bird—cranes, peacocks, deer, rabbits, chickens, geese, and the rest—had been purchased and turned over to the various scenic spots in the garden for keeping. On Jia Qiang's side, twenty variety plays had been rehearsed, and the young nuns and Daoist novices had learned to recite several chapters of sutras and incantations. Jia Zheng's mind was somewhat eased, and he invited the Dowager and the others into the garden to inspect everything and make sure all was tastefully arranged, with nothing overlooked or out of place. Then he chose a date to present a memorial to the throne. On the day the memorial was submitted, a vermilion edict was received in reply: on the fifteenth day of the first month of the following year, the Imperial Consort would be graciously permitted to visit her family. When this imperial favor reached the Jia household, the bustle redoubled day and night, and the New Year was not properly observed at all.

Before one knew it, the Lantern Festival was at hand. From the eighth day of the first month, eunuchs came out to inspect the premises: where the Consort should change her clothes, where she should rest, where she should receive greetings, where the banquet should be held, and where she should retire. There were also eunuchs in charge of general inspection and security, who brought with them many junior eunuchs. They went to every gate and barrier, set up screens and curtains, and instructed the Jia household staff where to withdraw, where to kneel, where to serve meals, where to present requests—a whole array of ceremonial regulations. Outside, officials from the Ministry of Works and the military commissioners of the five districts swept the streets and drove away idlers. Jia She and the others supervised the workmen in making lanterns and fireworks, and by the fourteenth everything was in place. That night, no one in the household, high or low, slept.

By the fifteenth, at the fifth watch, the Dowager and all those with titles were already in full ceremonial dress. Throughout the garden, screens were draped with coiling dragons, curtains fluttered with phoenixes in brilliant colors, gold and silver shone resplendent, and precious gems vied in splendor. Tripods burned aloeswood incense, and vases held springs of everlasting flowers. All was still; no one so much as coughed. Jia She and his brothers waited outside the West Gate, while the Dowager and her party waited outside the main gate of the Rong Mansion. Every street and lane was sealed off with screens and curtains. They were growing impatient when suddenly a eunuch came riding up on a large horse. The Dowager hurried forward to greet him and ask for news. The eunuch said, "It's still early! She won't finish her evening meal until the beginning of the *wei* period, and at the second quarter of *wei* she must still go to the Baoling Palace to worship the Buddha. At the beginning of the *you* period she will go to the Great Ming Palace to attend the banquet and view the lanterns before receiving the imperial edict. I'm afraid she won't set out until the beginning of the *xu* period." Lady Feng, hearing this, said, "In that case, Old Ancestress and Lady Wang, you might as well go back to your rooms and return when the time comes." So the Dowager and the others withdrew for the time being, and the entire management of the garden was left to Lady Feng. She also ordered the stewards to take the eunuchs off for food and wine.

Presently, servants came in carrying candles in buckets and began lighting lamps throughout the grounds. The moment they finished, the sound of horses galloping outside was heard. Soon a dozen or so eunuchs came running up, panting and clapping their hands. The others understood at once: "She's coming! She's coming!" and each took his appointed station. Jia She led all the male members of the clan to wait outside the West Street Gate, while the Dowager led all the female members to greet her outside the main gate. For a long time all was still. Then a pair of eunuchs in red livery was seen riding slowly up to the West Street Gate, where they dismounted, led their horses out beyond the enclosing screens, and stood with hands hanging down, facing west. After another long interval a second pair arrived and did the same. In due course over ten such pairs had come when the faint strains of music were heard. Then pair by pair there passed dragon pennants and phoenix-feathered canopies, halberds with pheasant-feather tassels and dragon-headed staves, together with gold-incense burners in which imperial incense was burning. Next came a curved-handled golden canopy with seven phoenixes, followed by the imperial robes, girdle, and shoes. Other serving eunuchs carried rosaries, embroidered handkerchiefs, a rinsing bowl, a fly whisk, and so forth. After these had all passed, eight eunuchs bore in a palanquin of gold with a golden-yellow canopy embroidered with phoenixes, moving slowly forward. The Dowager and the others hastily knelt by the roadside. Several eunuchs ran quickly forward to help up the Dowager, Lady Xing, and Lady Wang. The palanquin was carried through the main gate and on through the ceremonial gate to the east, arriving before the gate of a courtyard where a eunuch with a fly whisk knelt and asked her to alight and change her clothes. The palanquin was then carried inside, the eunuchs withdrew, and only Zhaorong and Caibin remained to lead Yuanchun down from it. Inside the courtyard, all manner of lanterns blazed brilliantly—they were all made of gauze and silk, exquisitely fashioned. Above hung a placard lantern bearing the four characters "Tiren Mode" ("Embodying Benevolence, Bathed in Virtue"). Yuanchun entered the house, changed her clothes, and came out again to ascend the palanquin and proceed to the garden. There she saw curling incense smoke, a riot of colored decorations, lights reflected everywhere, and the ceaseless sound of delicate music—it was impossible to describe this scene of peace and prosperity, of wealth and splendor.—At this moment she recalled to herself how desolate and lonely it had been in the Great Barren Mountain and at the foot of Blue Ridge Peak. Had not the Buddhist monk and the Taoist priest brought her here, how could she have witnessed such a world as this? She had thought of writing a "Rhapsody on Lanterns and the Moon" or an "Ode on Visiting One's Parents" to record the events of this day, but she feared it would fall into the hackneyed conventions of other books. Given the scene before her, even a rhapsody or eulogy could not fully capture its beauty; yet if she wrote no rhapsody or eulogy, the splendor and magnificence would still be readily imagined by all who saw it. So she decided to save herself the trouble of brush and ink and come straight to the main matter.

Meanwhile, as the Imperial Consort Jia rode in her sedan through the garden and saw such extravagance both inside and outside, she silently sighed at the excessive luxury. Then a eunuch with a fly whisk knelt and asked her to board a boat, and she descended from the palanquin. Before her stretched a clear stream coiling like a dragon. The stone balustrades on either side were studded with crystal and glass lanterns of every color, lit up like a snowy sea of silver blossoms. Although the willows and apricot trees on the banks had no leaves or flowers, they had been fashioned from pith-silk, gauze, and paper to look natural and attached to the branches, with several lanterns hanging from each. In addition, the ducks, water-plants, and herons in the pool had all been made from shells, mother-of-pearl, and feathers. The lanterns above and below vied in brilliance—truly a world of glass, a universe of jewels. The boat itself was hung with various exquisite miniature gardens and lanterns, pearl curtains, embroidered screens, cassia oars, and orchid-wood paddles—but no need to dwell on these. Presently they entered a stone harbor where a placard lantern bore the four characters "Liaoting Huaxu" ("Marshy Flats and Flowery Banks"). Now these four characters, together with "The Phoenix Alights in Its Proper Place" and the other inscriptions, had been composed by Jia Zheng on the spur of the moment to test Baoyu's talent in the previous chapter. Why were these placards and couplets being taken so seriously today? Besides, the Jia family had been a house of letters for generations, and the guests who frequented their mansion, the attendants who sat in their company, were all men of talent. How could they fail to commission some celebrated writer to compose the inscriptions, instead of making do with a child's random efforts? That would be like some vulgar upstart family squandering money on gaudy paint and plaster, then proudly inscribing "Before the gate green willows trail golden locks; behind the back door blue mountains stand like brocade screens"—and imagining this to be refined taste! Surely this was not the sort of thing the Ning and Rong houses of Jia, as recorded in the whole of this Story of the Stone, would do! Judged by this reasoning, there was a glaring contradiction. Gentlemen may not know the reason, but this fool will explain the circumstances, and then you will understand.

Before this Imperial Consort Jia entered the palace, she had been brought up by the Dowager from childhood. Later, when Baoyun was born, she was his elder sister and he was her young brother. Thinking that her mother was growing old and had only just been given this son, she cherished Baoyu more than her other brothers. And they had always been together with their grandmother, never parted for a moment. Before Baoyu entered school, when he was three or four years old, she had taught him with her own lips and hands several books, so that he already had several thousand characters in his belly. Although in name they were brother and sister, in affection they were like mother and son. After she entered the palace, she constantly sent messages out to her parents saying: "Be sure to bring him up well. If you are too lenient he will never make a man; but if you are too strict something untoward may happen, causing you anxiety." Her tender love and concern for him she could never forget. The other day, when Jia Zheng heard Baoyu's tutor praising behind his back that the boy had quite exceptional talent, Jia Zheng was skeptical. It happened that the garden had just been completed, so he asked Baoyu to compose the inscriptions, partly to test whether his thoughts were pure or muddled. Although the couplets and inscriptions Baoyu drafted were not masterpieces, they were perhaps passable for a child. Even if he had commissioned some famous scholar to write them, it would have been no trouble, but on reflection he thought they would be more interesting if they preserved the family's own flavor. Moreover, when the Imperial Consort Jia saw them, she would know they were the work of her beloved brother, and this might not disappoint the high hopes she had always had for him. For these reasons, then, Baoyu's inscriptions were actually used. Although they were not all completed that day, they were supplemented later.

Here is the translation:

Leaving aside extraneous details, let us return to the scene. The Imperial Consort, having read the two characters, smiled and said, "The two characters 'Hua Xu' are perfectly adequate—why bother with 'Liao Ting'?" The eunuch in attendance heard this, promptly left his small boat, went ashore, and flew to convey the message to Jia Zheng. Jia Zheng immediately made the change. Presently the boat approached the inner shore. They disembarked and mounted their sedan chairs, and there before them appeared temples of exquisite grace and cinnamon halls rising in majestic splendor. On the stone archway were clearly inscribed the four characters "Fairyland of Celestial Beauty." The Imperial Consort at once ordered them changed to "Villa for Imperial Visits." Then they entered the traveling palace. Behold—ceremonial torches blazing to the heavens, fragrant powder strewn upon the ground, jeweled trees and precious flowers, golden windows and jade balustrades. No words could describe the rolling shrimp-whisker carpets, the otter-fur rugs spread below, the musk-brain incense wafting from braziers, and the screens adorned with pheasant-tail fans. Truly it was:

A golden-gated, jade-portaled immortal's dwelling;

A cinnamon palace, orchid hall—a consort's home.

The Imperial Consort then asked, "Why does this hall lack a plaque?" The attending eunuch knelt and replied, "This is the main hall. The officials outside did not presume to compose an inscription." The Imperial Consort nodded and said nothing. The ceremonial eunuch knelt and requested that she ascend the throne to receive obeisance. Music rose from both sides of the steps. Two ceremonial eunuchs led Jia She and Jia Zheng to arrange themselves in ranks below the terrace, and the Zhaorong, the Palace Mistress of Ceremonies, announced from above: "You are excused." The eunuchs led Jia She and the others out. Then other eunuchs led the Dowager of the Rong Mansion and the female relatives up the eastern steps to form ranks on the terrace, and the Zhaorong announced once more: "You are excused." Thereupon they withdrew.

After tea had been offered three times, the Imperial Consort descended from her seat. The music ceased. She withdrew to a side hall to change her robes, before preparing her carriage to visit the family. She went to the Dowager's principal chamber and was about to perform the family obeisance, but the Dowager and the others knelt and stopped her repeatedly. Tears filled the Imperial Consort's eyes. Then they came forward to embrace one another. She took the Dowager by one hand and Lady Wang by the other, and the three of them had so much in their hearts to say, yet none of it could find words—they could only sob and weep facing each other. Lady Xing, Li Wan, Wang Xifeng, and the three sisters—Ying, Tan, and Xi—all stood around them, weeping in silence. After a long while, the Imperial Consort forced back her grief and smiled, comforting the Dowager and Lady Wang: "When I was sent to that place where no one could be seen, it was so hard—today I've finally come home and we family members can be together for a while. Instead of talking and laughing, you all start weeping. In a little while I'll be gone again, and who knows when I'll come back!" At this point she could not help choking up again. Lady Xing and the others hurried forward to comfort her. The Dowager and the others invited the Imperial Consort to be seated, and they greeted her one by one, and again there was no avoiding tears. Then the household stewards and functionaries of both mansions performed their obeisance outside the hall, and the stewardesses and maids of both mansions completed their salutations. The Imperial Consort then asked, "Why are Aunt Xue, Baochai, and Daiyu not here?" Lady Wang replied, "The female relatives from outside have no official rank and did not presume to enter." On hearing this, the Imperial Consort at once ordered that they be invited in quickly. Presently Aunt Xue and the others came in and were about to perform the state obeisance, but she ordered it dispensed with, and they came forward to exchange greetings of reunion. Then Baoqin and the other maids whom the Imperial Consort had originally brought into the palace came forward to kowtow. The Dowager and the others quickly raised them and had them entertained in a separate chamber. The steward eunuchs, the court ladies, the Zhaorong, and all the attendants were entertained by the Ning Mansion and Jia She's residence respectively, with only three or four small eunuchs left to attend. The mother and daughters, sisters and brothers spoke at length of their parting and private family matters. Then Jia Zheng came outside the screen to pay his respects, and the Imperial Consort received him through the screen with the prescribed ceremony. Through the tears behind the screen, she said to her father: "In a farming family, even with nothing but pickled vegetables and coarse cloth, they can still enjoy the happiness of family life together. Now, though we have reached the utmost in wealth and honor, our flesh and blood are scattered far apart—and in the end, there is no true joy!" Jia Zheng also replied through tears: "Your servant, from a humble family of common clay—a gathering of crows and sparrows—never dreamed that we would be blessed with the auspicious sign of the phoenix. Now Your Highness has received Heaven's grace above and shed glory upon our ancestors' virtues—all because the essence of mountains and rivers, the spirit of the sun and moon, and the distant virtue of our ancestors have been concentrated in one person, and blessed your servant and his wife. Moreover, the Emperor has manifested the great virtue of giving life to all creatures between Heaven and Earth, bestowing a boundless grace unprecedented in all history. Though we dash out our brains and cover the ground with our bodies, how could a subject repay even a fraction of this! Only by being diligent from morning to night and faithful to my duties besides, and by wishing our Sovereign ten thousand years of life, which would be the shared fortune of all under Heaven, can I do my part. Your Highness must not think of your aging parents in sorrow and resentment, but rather treasure yourself ever more. Only by being reverent, cautious, respectful, and diligent in serving His Majesty can you not fail to repay such extraordinary grace and loving favor." The Imperial Consort also urged him: "Only give your weight to affairs of state; take care of your health in your spare time, and do not think of me." Jia Zheng then said, "All the pavilions and halls in the garden were inscribed by Baoyu. If there are one or two that are even slightly passable, it would be a grace if you would bestow other names upon them." When the Imperial Consort heard that Baoyu had been able to compose inscriptions, she said with a smile: "He has indeed made progress." Jia Zheng withdrew. The Imperial Consort noticed that Baoyu and Lin Daiyu were quite different from the other cousins—truly like delicate flowers and soft jade. She asked, "Why has Baoyu not come in to see me?" The Dowager replied, "Without your command, no male from outside dared enter." The Imperial Consort ordered that he be brought in at once. A small eunuch went out and led Baoyu in. After he had performed the state obeisance, the Imperial Consort bade him come forward. She took him by the hand and drew him into her embrace, then stroked his head and neck, saying: "You've grown quite a bit since..." But before she could finish, her tears fell like rain.

Madam You and Xifeng came forward and reported, "The banquet is ready. May Your Highness proceed to tour the gardens." The Imperial Consort rose, and had Baoyu lead the way. Together they proceeded on foot to the garden gate. Already they could see, amid the brilliance of lanterns and fire trees, all manner of extraordinary displays. Entering the garden, they first visited "The Phoenix Arrives in Splendor," "Red Fragrance and Green Jade," "The Apricot Curtain in Prospect," and "Sweet Scent of Grasses and Orchids," ascending towers and terraces, crossing streams and winding among hills, gazing and lingering in every direction. Each place was furnished differently; each ornament was novel and ingenious. The Imperial Consort praised them profusely, but also urged: "In future, do not be too extravagant. This is already the height of excess." Then they arrived at the main hall. She ordered the ceremonial obeisance dispensed with and the company seated, and the grand banquet began. The Dowager and others attended below, while Madam You, Li Wan, and Xifeng personally served the soup and wine.

The Imperial Consort then ordered that brush and ink be brought forward. Taking up the brush herself, she selected several spots she was most fond of and bestowed names upon them. According to what she wrote:

Plaque: "Gratitude and Reciprocity"

Couplet:

Heaven and Earth bestow great mercy—

Commoners and elders alike feel its grace.

Ancient and modern times share this boundless favor—

All under Heaven receives its glory and honor.

This plaque and couplet were inscribed in the main hall.

She named the garden "Prospect Garden," and bestowed the name "Bamboo Lodge" on "Where the Phoenix Alters Its Course." She changed "Red Fragrance and Green Jade" to "Happy Red and Joyful Green," and named it "Happy Red Court." She named "Pure Fragrance of Vetch and Thoroughwort" "Vetch Blossom Arbour," and named "Apricot Curtain in View" "Hillside Villa of Hemp Washing." The main tower was called "Prospect Tower." The flying tower to the east was named "Brocade Pavilion," and the slanting tower to the west "Fragrance Pavilion." There were further names such as "Smartweed Breeze Veranda," "Lotus Fragrance Gazebo," "Purple Caltrop Isle," and "Water-crowfoot Sandbar," as well as more than ten four-character plaques, such as "Pear Blossoms in Spring Rain," "Paulownia Leaves Cut by Autumn Wind," and "Reeds and Rushes in Night Snow"—all of these could not be fully remembered at the time. She also ordered that all existing plaques and couplets need not be removed.

Then she first composed a quatrain:

With mountains embraced and waters encircled, built with such care—

How much labor was expended before it was complete!

Scenes of Heaven and Earth all assembled here—

This fragrant garden deserves the name "Prospect."

When she had finished writing, she turned to her cousins and said with a smile, "I have never been quick-witted, nor am I skilled at versification—this is well known to you all. Tonight I merely offer this to fulfill the occasion and do not wish to let this scenery go unappreciated. In the future, when I have leisure, I shall certainly compose a 'Record of Prospect Garden' and a 'Rhapsody on the Imperial Visit' to commemorate this day. You must each inscribe a plaque and compose a poem, according to your abilities, and complete them quickly—do not let my meager talent constrain you. Moreover, I am delighted that Baoyu has shown himself capable of inscription and verse—this was beyond my expectation. Of these places, 'Bamboo Lodge' and 'Vetch Blossom Arbour' are my greatest favorites; next come 'Happy Red Court' and 'Hillside Villa of Hemp Washing'—these four principal sites must receive special literary treatment to be fitting. Though the couplets I inscribed earlier are fine, now let each of you compose a pentasyllabic regulated verse, so that I may examine them here and not have wasted the pains of instructing you since childhood." Baoyu could only agree and withdrew to compose his thoughts.

Among Yingchun, Tanchun, and Xichun, Tanchun was the most accomplished of the cousins, yet she felt she could hardly compete with Xue Baochai or Lin Daiyu and could only do her best to fulfill the task along with the others. Li Wan also managed to compose a single regulated verse. The Imperial Consort first examined the cousins' compositions in order, which read as follows:

Plaque: "A Nature at Leisure, a Spirit Contented"

By Yingchun

The garden complete, its scenery wondrously fine—

I blush to receive the command, inscribing "at leisure, contented."

Who would believe such a realm exists in this world?

Could anyone roam here and not have their spirits uplifted?

Plaque: "Myriad Forms Vie in Splendor"

By Tanchun

A famed garden built, rising majestic and tall—

I receive the command, unashamed though my learning be shallow.

Its exquisite beauty cannot be expressed in a moment—

Truly, all things radiate with glory.

Plaque: "The Creative Power of Literature"

By Xichun

Mountains and waters stretch a thousand li beyond,

Towers and terraces rise high amidst five-colored clouds.

The garden is bathed in the radiance of sun and moon,

Its scenery surpasses the creative power of literature.

Plaque: "Literary Grace and Elegant Style"

By Li Wan

Luminous waters and bright mountains fold and unfold,

Its literary grace and elegance surpass the Isles of the Blest.

Green cuts through song-wandering fans, bewildering fragrant grass,

Red sets off the Hunan skirt as fallen plum blossoms dance.

Pearls and jade should be handed down to this glorious age—

How blessed are the immortals to descend from Jasper Terrace!

Since this famed garden invites wandering and appreciation,

No ordinary mortal is permitted to visit here.

Plaque: "Gathered Radiance, Concentrated Auspice"

By Xue Baochai

The fragrant garden is built to the west of the imperial city—

In splendid daylight and auspicious clouds, enveloped in wonder.

Tall willows rejoice at orioles leaving the valley,

Tall bamboos await the phoenix's coming.

The literary breeze has already marked the evening of the imperial progress,

Filial devotion should flourish at the hour of the homecoming visit.

With sagacious verse and immortal talent filling the colorful brush,

How dare I, in self-doubt, attempt further words?

Plaque: "A Fairyland Beyond the World"

By Lin Daiyu

Where is this famed garden built?

A fairy realm, apart from the dust of the world.

Borrowing the elegance of mountains and rivers,

Adding new splendor to its scenery.

Fragrance mingles with the wines of Golden Valley,

Flowers charm the denizens of Jade Hall.

How blessed to receive such imperial favor—

The palace carriage passes by so often!

When the Imperial Consort had finished reading, she praised them and then said with a smile, "In the end, the compositions of Cousins Xue and Lin are different from the rest—my other cousins cannot be ranked alongside them." The truth was that Lin Daiyu had hoped to display her extraordinary talent that night and outshine everyone, but the Imperial Consort had only commanded one plaque and one poem. She could not disobey the order by writing more, so she casually composed a single pentasyllabic regulated verse merely to suit the occasion.

By this point Baoyu had not yet finished his compositions. He had completed only two poems, on the "Bamboo Lodge" and "All-spice Court," and was in the middle of composing the one on "Happy Red Court" when he drafted the line "The green jade's spring leaves still rolled." Baochai, catching a glance at it, quickly turned and nudged him quietly while no one was paying attention. "Because she disliked the phrase 'red fragrance, green jade,' she changed it to 'Happy Red, Quick Green.' Now you deliberately use the word 'green jade'—aren't you deliberately setting yourself against her? Besides, there are many allusions to plantain leaves. Think of another character and change it," she urged.

When Baoyu heard Baochai say this, he wiped his brow. "It's just that I can't think of any literary allusion or source for the moment."

Baochai smiled. "Just change the character 'jade' in 'green jade' to 'wax.'"

Baoyu asked, "Is there a source for 'green wax'?"

When Baochai was asked this, she pursed her lips and nodded with a quiet smile. "Shame on you—if you're like this even tonight, I suppose in the future, when you sit for the palace examination before the golden throne, you'll even forget the surnames 'Zhao, Qian, Sun, and Li'! The first line of the Tang poet Qian Xu's poem on the plantain reads: 'Cold candles smokeless, green wax dry.' Have you forgotten even this?"

Upon hearing this, Baoyu felt as though a sudden light had opened in his mind. He laughed, "Damnation, damnation! Here was a perfectly ready-made allusion right before my eyes, and for some reason I couldn't think of it. You truly deserve to be called my 'one-character teacher.' From now on I shall call you my teacher, and never call you 'elder sister' again."

Baochai also whispered with a smile, "Hurry up and finish your poem instead of going on about 'elder sister, younger sister.' Who is your elder sister? The one wearing the yellow dragon-robe up there is your elder sister. Don't come claiming me as your elder sister." Even as she spoke and laughed, she feared she might delay him, so she withdrew.

Baoyu had no choice but to continue and complete the poems, ending up with three in all.

At this time Lin Daiyu had not yet had a chance to display her talents, which naturally displeased her. She saw that Baoyu alone was composing four regulated verses, taxing his mind greatly, and thought: why not compose two on his behalf to spare him some of that effort? With this thought, she walked over to Baoyu's desk and asked quietly, "Have you finished them all?"

Baoyu replied, "I've only done three. I'm still missing the one on 'Apricot Curtain in the Distance.'"

Daiyu said, "In that case, just copy out the first three. By the time you've finished writing those three, I'll have composed this last one for you." Having said this, she lowered her head for a moment, and immediately had a complete regulated verse in mind. She wrote it on a slip of paper, crumpled it into a ball, and tossed it to him. Baoyu opened it and read it, and felt at once that this poem was ten times better than the three he had composed himself. Overjoyed, he quickly wrote it out in formal regular script and presented it.

The Imperial Consort read:

**A Phoenix Comes to Roost**

Respectfully composed by Baoyu

The precious jade first ripens its fruit,

Fit to await the phoenix's call.

Stalk by stalk, green as if about to drip,

Each one, coolness born where they fall.

Spilling over the stones, they hinder the water by the steps,

Piercing through the curtains, they block the incense's perfume.

Do not disturb their clear, shattered shadows—

A fine dream grows long, though it's only midday.

**Pure Fragrance of Hengwu**

The all-spice fills the pristine garden,

The creeping vines lend their tender grace.

Softly they set off the spring grasses,

Trailing a thread of fragrance through the place.

Light mist veils the winding path,

Cold emerald drips along the corridor.

Who says the pond's winding shore

Is not Xie's dream of seclusion, long in store?

**Happy Red, Quick Green**

Deep courtyards, long days of stillness,

Pair by pair, the lovely ones appear.

The green wax of spring leaves still rolled,

The red-clad ones awake through the night, I fear.

Leaning on the railing, they trail their crimson sleeves,

Resting on the stone, they guard the blue-green haze.

Standing face to face in the eastern breeze,

Surely their master must pity their graceful ways.

**Apricot Curtain in the Distance**

The apricot curtain beckons the guest to drink,

In the distance there is a mountain farm.

Duckweed and water-mallow where the goslings swim,

Mulberry and elm where the swallows' beams are warm.

A single plot of spring leeks, green and lush,

Ten miles of rice flowers, their fragrance spread.

In a prosperous age, no hunger or want—

Why must they toil at plowing and weaving thread?

When the Imperial Consort finished reading, she was overjoyed and said, "Truly he has made progress!" She also pointed to the "Apricot Curtain" poem as the finest of the four, and accordingly changed the name "Hemp-Washing Farmstead" to "Fragrant Rice Village." She then ordered Tanchun to transcribe all the poems—some ten or more in total—on colored paper and sent a eunuch to pass them outside. When Jia Zheng and the others read them, they all praised them highly. Jia Zheng then presented his "Hymn of the Homecoming." Yuanchun also ordered that jade-like pastries, thinly sliced gold-meat delicacies, and such be bestowed upon Baoyu and Jia Lan. At this time Jia Lan was still very young and did not understand the proceedings; he merely followed his mother and uncle in performing the rites, so nothing more is recorded of him. Jia Huan had been ill since earlier in the year and had not yet recovered; he was resting and recuperating in a quiet place, so nothing more is recorded of him either.

At that time Jia Qiang, who was leading the twelve actresses, had been waiting impatiently downstairs when a eunuch came flying in and said, "The poems are finished—quickly bring the play list!" Jia Qiang hastily presented the brocade-bound program along with the list of the twelve flower-named girls. Shortly after, the eunuch came out and selected only four plays: the first, *The Sumptuous Banquet*; the second, *The Plea for Skill*; the third, *The Immortal Encounter*; and the fourth, *The Parting of Souls*.

Jia Qiang quickly set about arranging the performance. Each actress sang with a voice that could split stone, and danced with the enchantment of celestial beings. Though these were costumed portrayals, they fully expressed every shade of joy and sorrow. The performance had scarcely ended when a eunuch entered carrying a golden tray of pastries and asked, "Which one is Lingguan?" Jia Qiang knew at once that this was a gift for Lingguan, joyfully accepted it, and told Lingguan to kowtow. The eunuch then said, "The Imperial Consort has commanded: 'Lingguan is excellent. Let her perform two more plays—any two she chooses.'" Jia Qiang hastily agreed and ordered Lingguan to perform *The Garden Stroll* and *The Startled Dream*. But Lingguan insisted that these two plays were not originally roles for her type; she was adamant about not performing them and insisted on performing instead *The Lovers' Pledge* and *The Quarrel*. Jia Qiang could not prevail against her and had no choice but to let her do as she wished. The Imperial Consort was greatly pleased and commanded, "Do not make things difficult for this girl—teach her well." She also gave two bolts of palace silk, two pouches, some gold and silver ingots, and foodstuffs as an extra reward.

After this the banquet was cleared, and they went to visit the places they had not yet seen. Suddenly they came upon a Buddhist temple nestled among the mountains. The Imperial Consort promptly washed her hands anew, went in to burn incense and worship Buddha, and inscribed a plaque reading "The Ferry of Mercy on the Bitter Sea." She also bestowed special grace upon the nuns and female Taoists in general.

Presently a eunuch knelt and announced, "All the gifts are ready, Your Grace. Please inspect the list." He presented a summary. Jia Yuanchun reviewed it from beginning to end and found everything in perfect order, so she instructed them to proceed accordingly. The eunuch withdrew and distributed the items one by one. To Grandmother Jia were given: a gold ruyi scepter and a jade ruyi scepter, one sandalwood walking staff, one strand of gharwood prayer bolts, four bolts of palace brocade embroidered with "Wealth and Prosperity Everlasting," four bolts of palace silk embroidered with "Blessings and Longevity Without End," ten gold ingots stamped with "Brush and Ingot, All as You Wish," and ten silver ingots stamped with "Auspicious Joy with Fish." Lady Xing and Lady Wang each received the same, minus the ruyi scepters, walking staff, and prayer bolts. Jia Jing, Jia She, Jia Zheng, and the others each received: two volumes of imperially commissioned new books, two cases of precious ink, two gold goblets, and two silver goblets, with ceremonial gifts as previously specified. Baochai, Daiyu, and the other young ladies each received: one volume of new books, one precious inkstone, and two pairs of newly designed gold and silver ingots. Baoyu received the same. Jia Lan received: two gold and silver neck rings and two pairs of gold and silver ingots. Madam You, Li Wan, and Xifeng each received: four gold and silver ingots and four bolts of ceremonial silk. There were also twenty-four bolts of ceremonial silk outside and one hundred strings of cash, which were given to Grandmother Jia, Lady Wang, and the nursemaids and maids in the various young ladies' quarters. Jia Zhen, Jia Lian, Jia Huan, and Jia Rong each received: one set of ceremonial gifts and one pair of gold ingots. The remaining gifts—one hundred bolts of colored silk, one thousand taels of gold and silver, imperial wine, and a lavish banquet—were bestowed upon all those in both Mansions who managed the gardens' construction and furnishings, attended to duties, or served as actors and lampliters. Additionally, there were five hundred strings of cash for the cooks, entertainers, musicians, and various other servants.

After everyone had expressed their thanks, the presiding eunuch announced, "It is now the third watch of the Chou hour. Your Grace, please return to the palace." Upon hearing this, Yuanchun could not help but tears streaming down her eyes once more. Yet she forced a smile, took hold of Grandmother Jia and Lady Wang's hands, and held them tightly, reluctant to let go. She urged them again and again: "Do not worry about me. Take good care of yourselves. Thanks to the Emperor's boundless grace, I may visit once a month. We shall see each other often, so why be so grief-stricken? If His Majesty's favor permits another homecoming next year, you must not indulge in such extravagance!" Grandmother Jia and the others were already sobbing too hard to speak. Though Yuanchun could not bear to leave, the imperial regulations allowed no deviation, so she steeled her heart and stepped into her palanquin. Those present managed with great difficulty to comfort and console Grandmother Jia and Lady Wang before helping them out of the garden gate and back to the main quarters. What happened next—read on in the following chapter.

第018回

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第十八回 林黛玉誤剪香囊袋 賈元春歸省慶元宵

話說寶玉來至院外,就有跟賈政的幾個小廝上來攔腰抱住,都說:“今兒虧我們,老爺才喜歡,老太太打發人出來問了幾遍,都虧我們回說喜歡,不然,若老太太叫你進去,就不得展才了。人人都說,你才那些詩比世人的都強。今兒得了這樣的彩頭。該賞我們了。”寶玉笑道:“每人一吊錢。”眾人道:“誰沒見那一吊錢!把這荷包賞了罷。”說著,一個上來解荷包,那一個就解扇囊,不容分說,將寶玉所佩之物盡行解去。又道:“好生送上去罷。”一個抱了起來,幾個圍繞,送至賈母二門前。那時賈母已命人看了幾次。眾奶娘丫鬟跟上來,見過賈母,知不曾難為著他,心中自是歡喜。

少時襲人倒了茶來,見身邊佩物一件無存,因笑道:“帶的東西又是那起沒臉的東西們解了去了。”林黛玉聽說,走來瞧瞧,果然一件無存,因向寶玉道:“我給的那個荷包也給他們了?你明兒再想我的東西,可不能夠了!”說畢,賭氣回房,將前日寶玉所煩他作的那個香袋兒——才做了一半——賭氣拿過來就鉸。寶玉見他生氣,便知不妥,忙赶過來,早剪破了。寶玉已見過這香囊,雖尚未完,卻十分精巧,費了許多工夫。今見無故剪了,卻也可氣。因忙把衣領解了,從里面紅襖襟上將黛玉所給的那荷包解了下來,遞與黛玉瞧道:“你瞧瞧,這是什麼!我那一回把你的東西給人了?”林黛玉見他如此珍重,帶在里面,可知是怕人拿去之意,因此又自悔莽撞,未見皂白,就剪了香袋。因此又愧又氣,低頭一言不發。寶玉道:“你也不用剪,我知道你是懶待給我東西。我連這荷包奉還,何如?”說著,擲向他怀中便走。黛玉見如此,越發氣起來,聲咽氣堵,又汪汪的滾下淚來,拿起荷包來又剪。寶玉見他如此,忙回身搶住,笑道:“好妹妹,饒了他罷!”黛玉將剪子一摔,拭淚說道:“你不用同我好一陣歹一陣的,要惱,就撂開手。這當了什麼。”說著,賭氣上床,面向里倒下拭淚。禁不住寶玉上來“妹妹”長“妹妹”短賠不是。

前面賈母一片聲找寶玉。眾奶娘丫鬟們忙回說:“在林姑娘房里呢。”賈母聽說道:“好,好,好!讓他姊妹們一處頑頑罷。才他老子拘了他這半天,讓他開心一會子罷。只別叫他們拌嘴,不許扭了他。”眾人答應著。黛玉被寶玉纏不過,只得起來道:“你的意思不叫我安生,我就離了你。”說著往外就走。寶玉笑道:“你到那里,我跟到那里。”一面仍拿起荷包來帶上,黛玉伸手搶道:“你說不要了,這會子又帶上,我也替你怪臊的!”說著,“嗤”的一聲又笑了。寶玉道:“好妹妹,明兒另替我作個香袋兒罷。”黛玉道:“那也只瞧我高興罷了。”一面說,一面二人出房,到王夫人上房中去了,可巧寶釵亦在那里。

此時王夫人那邊熱鬧非常。原來賈薔已從姑蘇采買了十二個女孩子——并聘了教習——以及行頭等事來了。那時薛姨媽另遷于東北上一所幽靜房舍居住,將梨香院早已騰挪出來,另行修理了,就令教習在此教演女戲。又另派家中舊有曾演學過歌唱的女人們——如今皆已皤然老嫗了,著他們帶領管理。就令賈薔總理其日用出入銀錢等事,以及諸凡大小所需之物料賬目。又有林之孝家的來回:“采訪聘買得十個小尼姑,小道姑都有了,連新作的二十分道袍也有了。外有一個帶髮修行的,本是蘇州人氏,祖上也是讀書仕宦之家。因生了這位姑娘自小多病,買了許多替身兒皆不中用,到底這位姑娘親自入了空門,方纔好了,所以帶髮修行,今年才十八歲,法名妙玉。如今父母俱已亡故,身邊只有兩個老嬤嬤,一個小丫頭伏侍。文墨也极通,經文也不用學了,摸樣兒又极好。因聽見‘長安’都中有觀音遺跡并貝葉遺文,去歲隨了師父上來,現在西門外牟尼院住著。他師父极精演先天神數,于去冬圓寂了。妙玉本欲扶靈回鄉的,他師父臨寂遺言,說他‘衣食起居不宜回鄉。在此靜居,後來自然有你的結果’。所以他竟未回鄉。”王夫人不等回完,便說:“既這樣,我們何不接了他來。”林之孝家的回道:“請他,他說‘侯門公府,必以貴勢壓人,我再不去的。’”王夫人笑道:“他既是官宦小姐,自然驕傲些,就下個帖子請他何妨。”林之孝家的答應了出去,命書啟相公寫請帖去請妙玉。次日遣人備車轎去接等後話,暫且擱過,此時不能表白。

當下又有人回,工程上等著糊東西的紗綾,請鳳姐去開樓揀紗綾,又有人來回,請鳳姐開庫,收金銀器皿。連王夫人并上房丫鬟等眾,皆一時不得閒的。寶釵便說:“咱們別在這里礙手礙腳,找探丫頭去。”說著,同寶玉黛玉往迎春等房中來閒頑,無話。

王夫人等日日忙亂,直到十月將盡,幸皆全備:各處監管都交清賬目,各處古董文玩,皆已陳設齊備,采辦鳥雀的,自仙鶴,孔雀以及鹿,兔,雞,鵝等類,悉已買全,交于園中各處像景飼養;賈薔那邊也演出二十出雜戲來,小尼姑,道姑也都學會了念幾卷經咒。賈政方略心意寬暢,又請賈母等進園,色色斟酌,點綴妥當,再無一些遺漏不當之處了。于是賈政方擇日題本。本上之日,奉朱批准奏:次年正月十五上元之日,恩准賈妃省親。賈府領了此恩旨,益發晝夜不閒,年也不曾好生過的。

展眼元宵在邇,自正月初八日,就有太監出來先看方向:何處更衣,何處燕坐,何處受禮,何處開宴,何處退息。又有巡察地方總理關防太監等,帶了許多小太監出來,各處關防,擋圍幙,指示賈宅人員何處退,何處跪,何處進膳,何處啟事,种种儀注不一。外面又有工部官員并五城兵備道打掃街道,攆逐閒人。賈赦等督率匠人扎花燈煙火之類,至十四日,俱已停妥。這一夜,上下通不曾睡。

至十五日五鼓,自賈母等有爵者,皆按品服大妝。園內各處,帳舞蟠龍,帘飛彩鳳,金銀煥彩,珠寶爭輝,鼎焚百合之香,瓶插長春之蕊,靜悄無人咳嗽。賈赦等在西街門外,賈母等在榮府大門外。街頭巷口,俱系圍幕擋嚴。正等的不耐煩,忽一太監坐大馬而來,賈母忙接入,問其消息。太監道:“早多著呢!未初刻用過晚膳,未正二刻還到寶靈宮拜佛,酉初刻進大明宮領宴看燈方請旨,只怕戌初才起身呢。”鳳姐聽了道:“既這麼著,老太太,太太且請回房,等是時候再來也不遲。”于是賈母等暫且自便,園中悉賴鳳姐照理。又命執事人帶領太監們去吃酒飯。

一時傳人一擔一擔的挑進蜡燭來,各處點燈。方點完時,忽聽外邊馬跑之聲。一時,有十來個太監都喘吁吁跑來拍手兒。這些太監會意,都知道是“來了,來了”,各按方向站住。賈赦領合族子侄在西街門外,賈母領合族女眷在大門外迎接。半日靜悄悄的。忽見一對紅衣太監騎馬緩緩的走來,至西街門下了馬,將馬赶出圍幕之外,便垂手面西站住。半日又是一對,亦是如此。少時便來了十來對,方聞得隱隱細樂之聲。一對對龍旌鳳翣,雉羽夔頭,又有銷金提爐焚著御香,然後一把曲柄七鳳黃金傘過來,便是冠袍帶履。又有值事太監捧著香珠,繡帕,漱盂,拂塵等類。一隊隊過完,後面方是八個太監抬著一頂金頂金黃繡鳳版輿,緩緩行來。賈母等連忙路旁跪下。早飛跑過幾個太監來,扶起賈母,邢夫人,王夫人來。那版輿抬進大門,入儀門往東去,到一所院落門前,有執拂太監跪請下輿更衣。于是抬輿入門,太監等散去,只有昭容,彩嬪等引領元春下輿。只見院內各色花燈爛灼,皆系紗綾扎成,精致非常。上面有一匾燈,寫著“体仁沐德”四字。元春入室,更衣畢复出,上輿進園。只見園中香煙繚繞,花彩繽紛,處處燈光相映,時時細樂聲喧,說不盡這太平氣象,富貴風流。——此時自己回想當初在大荒山中,青埂峰下,那等凄涼寂寞,若不虧癩憎,跛道二人攜來到此,又安能得見這般世面。本欲作一篇《燈月賦》,《省親頌》,以志今日之事,但又恐入了別書的俗套。按此時之景,即作一賦一贊,也不能形容得盡其妙,即不作賦贊,其豪華富麗,觀者諸公亦可想而知矣。所以倒是省了這工夫紙墨,且說正經的為是。

且說賈妃在轎內看此園內外如此豪華,因默默歎息奢華過費。忽又見執拂太監跪請登舟,賈妃乃下輿。只見清流一帶,勢如游龍,兩邊石欄上,皆系水晶玻璃各色風燈,點的如銀花雪浪,上面柳杏諸樹雖無花葉,然皆用通草綢綾紙絹依勢作成,粘于枝上的,每一株懸燈數盞,更兼池中荷荇鳧鷺之屬,亦皆系螺蚌羽毛之類作就的。諸燈上下爭輝,真系玻璃世界,珠寶乾坤。船上亦系各种精致盆景諸燈,珠帘繡幙,桂楫蘭橈,自不必說。已而入一石港,港上一面匾燈,明現著“蓼汀花漵”四字。按此四字并“有鳳來儀”等處,皆系上回賈政偶然一試寶玉之課藝才情耳,何今日認真用此匾聯?況賈政世代詩書,來往諸客屏侍座陪者,悉皆才技之流,豈無一名手題撰,竟用小兒一戲之辭苟且搪塞?真似暴發新榮之家,濫使銀錢,一味抹油涂朱,畢則大書“前門綠柳垂金鎖,後戶青山列錦屏”之類,則以為大雅可觀,豈《石頭記》中通部所表之宁榮賈府所為哉!据此論之,竟大相矛盾了。諸公不知,待蠢物將原委說明,大家方知。

當日這賈妃未入宮時,自幼亦系賈母教養。後來添了寶玉,賈妃乃長姊,寶玉為弱弟,賈妃之心上念母年將邁,始得此弟,是以怜愛寶玉,與諸弟待之不同。且同隨祖母,刻未暫離。那寶玉未入學堂之先,三四歲時,已得賈妃手引口傳,教授了幾本書,數千字在腹內了。其名分雖系姊弟,其情狀有如母子。自入宮後,時時帶信出來與父母說:“千萬好生扶養,不嚴不能成器,過嚴恐生不虞,且致父母之憂。”眷念切愛之心,刻未能忘。前日賈政聞塾師背後贊寶玉偏才盡有,賈政未信,适巧遇園已落成,令其題撰,聊一試其情思之清濁。其所擬之匾聯雖非妙句,在幼童為之,亦或可取。即另使名公大筆為之,固不費難,然想來倒不如這本家風味有趣。更使賈妃見之,知系其愛弟所為,亦或不負其素日切望之意。因有這段原委,故此竟用了寶玉所題之聯額。那日雖未曾題完,後來亦曾補擬。

閒文少述,且說賈妃看了四字,笑道:“‘花漵’二字便妥,何必,‘蓼汀’?”侍座太監聽了,忙下小舟登岸,飛傳與賈政。賈政聽了,即忙移換。一時,舟臨內岸,复棄舟上輿,便見琳宮綽約,桂殿巍峨。石牌坊上明顯“天仙寶境”四字,賈妃忙命換“省親別墅”四字。于是進入行宮。但見庭燎燒空,香屑布地,火樹琪花,金窗玉檻。說不盡帘卷蝦須,毯舖魚獺,鼎飄麝腦之香,屏列雉尾之扇。真是:

金門玉戶神仙府,桂殿蘭宮妃子家。

賈妃乃問:“此殿何無匾額?”隨侍太監跪啟曰:“此系正殿,外臣未敢擅擬。”賈妃點頭不語。禮儀太監跪請升座受禮,兩陛樂起。禮儀太監二人引賈赦,賈政等于月台下排班,殿上昭容傳諭曰:“免。”太監引賈赦等退出。又有太監引榮國太君及女眷等自東階升月台上排班,昭容再諭曰:“免。”于是引退。

茶已三獻,賈妃降座,樂止。退入側殿更衣,方備省親車駕出園。至賈母正室,欲行家禮,賈母等俱跪止不迭。賈妃滿眼垂淚,方彼此上前廝見,一手攙賈母,一手攙王夫人,三個人滿心里皆有許多話,只是俱說不出,只管嗚咽對泣。邢夫人,李紈,王熙鳳,迎,探,惜三姊妹等,俱在旁圍繞,垂淚無言。半日,賈妃方忍悲強笑,安慰賈母,王夫人道:“當日既送我到那不得見人的去處,好容易今日回家娘兒們一會,不說說笑笑,反倒哭起來。一會子我去了,又不知多早晚才來!”說到這句,不禁又哽咽起來。邢夫人等忙上來解勸。賈母等讓賈妃歸座,又逐次一一見過,又不免哭泣一番。然後東西兩府掌家執事人丁在廳外行禮,及兩府掌家執事媳婦領丫鬟等行禮畢。賈妃因問:“薛姨媽,寶釵,黛玉因何不見?”王夫人啟曰:“外眷無職,未敢擅入。”賈妃聽了,忙命快請。一時,薛姨媽等進來,欲行國禮,亦命免過,上前各敘闊別寒溫。又有賈妃原帶進宮去的丫鬟抱琴等上來叩見,賈母等連忙扶起,命人別室款待。執事太監及彩嬪,昭容各侍從人等,宁國府及賈赦那宅兩處自有人款待,只留三四個小太監答應。母女姊妹深敘些離別情景,及家務私情。又有賈政至帘外問安,賈妃垂帘行參等事。又隔帘含淚謂其父曰:“田舍之家,雖齏鹽布帛,終能聚天倫之樂,今雖富貴已极,骨肉各方,然終無意趣!”賈政亦含淚啟道:“臣,草莽寒門,鳩群鴉屬之中,豈意得征鳳鸞之瑞。今貴人上錫天恩,下昭祖德,此皆山川日月之精奇,祖宗之遠德鐘于一人,幸及政夫婦。且今上啟天地生物之大德,垂古今未有之曠恩,雖肝腦涂地,臣子豈能得報于萬一!惟朝乾夕惕,忠于厥職外,願我君萬壽千秋,乃天下蒼生之同幸也。貴妃切勿以政夫婦殘年為念,懣憤金怀,更祈自加珍愛。惟業業兢兢,勤慎恭肅以侍上,庶不負上体貼眷愛如此之隆恩也。”賈妃亦囑”只以國事為重,暇時保養,切勿記念”等語。賈政又啟:“園中所有亭台軒館,皆系寶玉所題,如果有一二稍可寓目者,請別賜名為幸。”元妃聽了寶玉能題,便含笑說:“果進益了。”賈政退出。賈妃見寶,林二人亦發比別姊妹不同,真是姣花軟玉一般。因問:“寶玉為何不進見?”賈母乃啟:“無諭,外男不敢擅入。”元妃命快引進來。小太監出去引寶玉進來,先行國禮畢,元妃命他進前,攜手攔于怀內,又撫其頭頸笑道:“比先竟長了好些……”一語未終,淚如雨下。

尤氏,鳳姐等上來啟道:“筵宴齊備,請貴妃游幸。”元妃等起身,命寶玉導引,遂同諸人步至園門前,早見燈光火樹之中,諸般羅列非常。進園來先從“有鳳來儀”,“紅香綠玉”,“杏帘在望”,“蘅芷清芬”等處,登樓步閣,涉水緣山,百般眺覽徘徊。一處處鋪陳不一,一樁樁點綴新奇。賈妃极加獎贊,又勸:“以後不可太奢,此皆過分之极。”已而至正殿,諭免禮歸座,大開筵宴。賈母等在下相陪,尤氏,李紈,鳳姐等親捧羹把盞。

元妃乃命傳筆硯伺候,親搦湘管,擇其幾處最喜者賜名。按其書云:

“顧恩思義”匾額

天地啟宏慈,赤子蒼頭同感戴,

古今垂曠典,九州萬國被恩榮。

此一匾一聯書于正殿。

“大觀園”園之名,“有鳳來儀”賜名曰“瀟湘館”,“紅香綠玉”改作“怡紅快綠”,即名曰“怡紅院”,“蘅芷清芬”賜名曰“蘅蕪苑”,“杏帘在望”賜名曰“浣葛山莊”,正樓曰“大觀樓”。東面飛樓曰“綴錦閣”,西面斜樓曰“含芳閣”、更有“蓼風軒”,“藕香榭”,“紫菱洲”,“荇葉渚”等名,又有四字的匾額十數個,諸如“梨花春雨”,“桐剪秋風”,“荻蘆夜雪”等名,此時悉難全記。又命舊有匾聯俱不必摘去。于是先題一絕云:

銜山抱水建來精,多少工夫筑始成。

天上人間諸景備,芳園應錫大觀名。

寫畢,向諸姊妹笑道:“我素乏捷才,且不長于吟詠,妹輩素所深知。今夜聊以塞責,不負斯景而已。异日少暇,必補撰《大觀園記》并《省親頌》等文,以記今日之事。妹輩亦各題一匾一詩,隨才之長短,亦暫吟成,不可因我微才所縛。且喜寶玉竟知題詠,是我意外之想。此中‘瀟湘館’,‘蘅蕪苑’二處,我所极愛,次之‘怡紅院’,‘浣葛山庄’,此四大處,必得別有章句題詠方妙。前所題之聯雖佳,如今再各賦五言律一首,使我當面試過,方不負我自幼教授之苦心。”寶玉只得答應了,下來自去构思。

迎,探,惜三人之中,要算探春又出于姊妹之上,然自忖亦難與薛林爭衡,只得勉強隨眾塞責而已。李紈也勉強湊成一律。賈妃先挨次看姊妹們的,寫道是:

“曠性怡情”匾額

迎春

園成景備特精奇,奉命羞題額曠怡。

誰信世間有此境,游來宁不暢神思?

“萬象爭輝”匾額

探春

名園筑出勢巍巍,奉命何慚學淺微。

精妙一時言不出,果然萬物生光輝。

“文章造化”匾額

惜春

山水橫拖千里外,樓臺高起五雲中。

園修日月光輝里,景奪文章造化功。

“文采風流”匾額

李紈

秀水明山抱复回,風流文采胜蓬萊。

綠裁歌扇迷芳草,紅襯湘裙舞落梅。

珠玉自應傳盛世,神仙何幸下瑤臺。

名園一自邀游賞,未許凡人到此來。

“凝暉鐘瑞”匾額

薛寶釵

芳園筑向帝城西,華日祥雲籠罩奇。

高柳喜遷鶯出谷,修篁時待鳳來儀。

文風已著宸游夕,孝化應隆歸省時。

睿藻仙才盈彩筆,自慚何敢再為辭。

“世外仙源”匾額

林黛玉

名園筑何處,仙境別紅塵。

借得山川秀,添來景物新。

香融金谷酒,花媚玉堂人。

何幸邀恩寵,宮車過往頻。

賈妃看畢,稱賞一番,又笑道:“終是薛林二妹之作與眾不同,非愚姊妹可同列者。”原來林黛玉安心今夜大展奇才,將眾人壓倒,不想賈妃只命一匾一詠,倒不好違諭多作,只胡亂作一首五言律應景罷了。

彼時寶玉尚未作完,只剛作了“瀟湘館”與“蘅蕪苑”二首,正作“怡紅院”一首,起草內有“綠玉春猶卷”一句。寶釵轉眼瞥見,便趁眾人不理論,急忙回身悄推他道:“他因不喜‘紅香綠玉’四字,改了‘怡紅快綠’,你這會子偏用‘綠玉’二字,豈不是有意和他爭馳了?況且蕉葉之說也頗多,再想一個字改了罷。”寶玉見寶釵如此說,便拭汗道:“我這會子總想不起什麼典故出處來。”寶釵笑道:“你只把‘綠玉’的‘玉’字改作‘蜡’字就是了。”寶玉道:“‘綠蜡’可有出處?”寶釵見問,悄悄的咂嘴點頭笑道:“虧你今夜不過如此,將來金殿對策,你大約連‘趙錢孫李’都忘了呢!唐錢珝詠芭蕉詩頭一句:‘冷燭無煙綠蜡乾’,你都忘了不成?”寶玉聽了,不覺洞開心臆,笑道:“該死,該死!現成眼前之物偏倒想不起來了,真可謂‘一字師’了。從此後我只叫你師父,再不叫姐姐了。”寶釵亦悄悄的笑道:“還不快作上去,只管姐姐妹妹的。誰是你姐姐?那上頭穿黃袍的才是你姐姐,你又認我這姐姐來了。”一面說笑,因說笑又怕他耽延工夫,遂抽身走開了。寶玉只得續成,共有了三首。

此時林黛玉未得展其抱負,自是不快。因見寶玉獨作四律,大費神思,何不代他作兩首,也省他些精神不到之處。想著,便也走至寶玉案旁,悄問:“可都有了?”寶玉道:“才有了三首,只少‘杏帘在望’一首了。”黛玉道:“既如此,你只抄錄前三首罷。赶你寫完那三首,我也替你作出這首了。”說畢,低頭一想,早已吟成一律,便寫在紙條上,搓成個團子,擲在他跟前。寶玉打開一看,只覺此首比自己所作的三首高過十倍,真是喜出望外,遂忙恭楷呈上。賈妃看道:

有鳳來儀

臣寶玉謹題

秀玉初成實,堪宜待鳳凰。

竿竿青欲滴,個個綠生涼。

迸砌妨階水,穿帘礙鼎香。

莫搖清碎影,好夢晝初長。

蘅芷清芬

蘅蕪滿淨苑,蘿薜助芬芳。

軟襯三春草,柔拖一縷香。

輕煙迷曲徑,冷翠滴回廊。

誰謂池塘曲,謝家幽夢長。

怡紅快綠

深庭長日靜,兩兩出嬋娟。

綠蜡春猶卷,紅妝夜未眠。

憑欄垂絳袖,倚石護青煙。

對立東風里,主人應解怜。

杏帘在望

杏帘招客飲,在望有山庄。

菱荇鵝兒水,桑榆燕子梁。

一畦春韭綠,十里稻花香。

盛世無饑餒,何須耕織忙。

賈妃看畢,喜之不盡,說:“果然進益了!”又指“杏帘”一首為前三首之冠,遂將“浣葛山庄”改為”稻香村”。又命探春另以彩箋謄錄出方才一共十數首詩,出令太監傳與外廂。賈政等看了,都稱頌不已。賈政又進《歸省頌》。元春又命以瓊酥金膾等物,賜與寶玉并賈蘭。此時賈蘭极幼,未達諸事,只不過隨母依叔行禮,故無別傳。賈環從年內染病未痊,自有閒處調養,故亦無傳。

那時賈薔帶領十二個女戲,在樓下正等的不耐煩,只見一太監飛來說:“作完了詩,快拿戲目來!”賈薔急將錦冊呈上,并十二個花名單子。少時,太監出來,只點了四出戲:第一出,《豪宴》,第二出,《乞巧》,第三出,《仙緣》,第四出,《離魂》。

賈薔忙張羅扮演起來。一個個歌欺裂石之音,舞有天魔之態。雖是妝演的形容,卻作盡悲歡情狀。剛演完了,一太監執一金盤糕點之屬進來,問:“誰是齡官?”賈薔便知是賜齡官之物,喜的忙接了,命齡官叩頭。太監又道:“貴妃有諭,說‘齡官极好,再作兩出戲,不拘那兩出就是了’。”賈薔忙答應了,因命齡官作《游園》《驚夢》二出。齡官自為此二出原非本角之戲,執意不作,定要作《相約》《相罵》二出。賈薔扭他不過,只得依他作了。賈妃甚喜,命“不可難為了這女孩子,好生教習”,額外賞了兩匹宮緞,兩個荷包并金銀錁子,食物之類。然後撤筵,將未到之處复又游頑。忽見山環佛寺,忙另盥手進去焚香拜佛,又題一匾云:“苦海慈航”。又額外加恩與一般幽尼女道。

少時,太監跪啟:“賜物俱齊,請驗等例。”乃呈上略節。賈妃從頭看了,俱甚妥協,即命照此遵行。太監聽了,下來一一發放。原來賈母的是金、玉如意各一柄,沉香拐拄一根,伽楠念珠一串,“富貴長春”宮緞四匹,“福壽綿長”宮綢四匹,紫金“筆錠如意”錁十錠,“吉慶有魚”銀錁十錠。邢夫人、王夫人二分,只減了如意,拐,珠四樣。賈敬、賈赦、賈政等,每分御製新書二部,寶墨二匣,金、銀爵各二隻,表禮按前。寶釵,黛玉諸姊妹等,每人新書一部,寶硯一方,新樣格式金銀錁二對。寶玉亦同此。賈蘭則是金銀項圈二個,金銀錁二對。尤氏、李紈、鳳姐等,皆金銀錁四錠,表禮四端。外表禮二十四端,清錢一百串,是賜與賈母,王夫人及諸姊妹房中奶娘眾丫鬟的。賈珍、賈璉、賈環、賈蓉等,皆是表禮一分,金錁一雙。其餘彩緞百端,金銀千兩,御酒華筵,是賜東西兩府凡園中管理工程、陳設、答應及司戲、掌燈諸人的。外有清錢五百串,是賜廚役、优怜、百戲、雜行人丁的。

眾人謝恩已畢,執事太監啟道:“時已丑正三刻,請駕回鑾。”賈妃聽了,不由的滿眼又滾下淚來。卻又勉強堆笑,拉住賈母,王夫人的手,緊緊的不忍釋放,再四叮嚀:“不須挂念,好生自養。如今天恩浩蕩,一月許進內省視一次,見面是盡有的,何必傷慘。倘明歲天恩仍許歸省,萬不可如此奢華靡費了!”賈母等已哭的哽噎難言了。賈妃雖不忍別,怎奈皇家規范,違錯不得,只得忍心上輿去了。這里諸人好容易將賈母,王夫人安慰解勸,方才扶出園門進上房去了。要知端的,且看下回。

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