Chapter 1
第001回 · Dream of the Red Chamber
Chapter 1
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Chapter 1: Zhen Shiyin Dreams and Awakens to the Truth; Jia Yucun Cherishes a Beauty Amid the Dust
The author says: Having once passed through a dreamlike existence, I have therefore hidden away the true events and borrowed the tale of the Spiritual Stone to write this book, *The Story of the Stone*. Hence the line "Zhen Shiyin Dreams and Awakens to the Truth." But what events does this book record, and why was it written? The author further says: Now, amid the dust and toil of the world, having accomplished nothing in life, I suddenly think of all the women I knew in those days. Examining each one carefully, I find that their conduct and understanding surpassed my own. How is it that I, a man of such dignity, should have fallen short of those women in hairpins and skirts! Truly, I have more than enough cause for shame, and regret is of no avail—this is a time of utter helplessness beyond all remedy! At such a moment, I wish to set down the debt I have incurred: the favor of Heaven above, the virtue of my ancestors below, the days when I wore fine brocade and ate the choicest food, when I turned my back on my parents' teachings and failed to live up to my teachers' and brothers' guidance—all of which has led to my present state of accomplishing nothing and passing half my life in failure. I will compile this record to tell all the world. My faults indeed cannot be pardoned, but among women there have been those whose qualities were truly remarkable; I must not, on account of my own unworthiness, conceal my shortcomings and allow their merits to perish along with me. Though today I live under a thatched roof with rush-mat windows, cooking on a brick stove and sleeping on a rope bed, the winds of morning, the moonlit nights, the willows by the steps and flowers in the courtyard—none of these has diminished the spirit of my heart and brush. Though I am unlearned and my writing lacks polish, why not employ the language of pretense and rustic speech to weave a story that may delight the eyes and ears of others? Hence the line "Cherishes a Beauty Amid the Dust"—this is the true theme of the first chapter. The very opening speaks of "Cherishing a Beauty Amid the Dust," making it clear that the author's original intention was to record the friendship and sentiments of the women of those days, and that this is not a book that rails against the world or abuses the times. Though at times it touches upon the ways of the world, such passages are unavoidable and are not the book's main purpose. Let the reader keep this in mind. A poem says:
Why toil so hard through a floating life?
Grand feasts and splendid revels must end in parting.
Grief and joy alike dissolve into illusion;
Ancient and modern are equally a foolish dream.
They say the red-sleeved lady's tear-stains are heavy;
Still deeper is the lovesick one's endless regret.
Every word, seen clearly, is written in blood;
Ten years of bitter toil—how extraordinary!
Now, gentle reader, you may ask: from whence does this book come? The origin may seem far-fetched at first, but examine it closely and you will find it deeply intriguing. Allow me to set down this origin clearly, so that the reader may understand without confusion.
Long ago, when Nüwa smelted stones to repair the heavens, at the Great Waste Mountain and the Cliff of No Reliance, she smelted 36,501 huge stones, each twelve feet high and twenty-four feet square. The Goddess Nüwa used only 36,500 of them. One stone alone was left unused, and it was cast away at the foot of Blue Ridge Peak on this mountain. Who could have known that after being tempered, this stone had acquired spiritual awareness? When it saw that all the other stones had been used to mend the heavens, and that it alone lacked the material and was unfit for selection, it fell to lamenting and reproaching itself, weeping and grieving day and night.
One day, while it was still sighing and mourning, it suddenly saw a Buddhist monk and a Taoist priest approaching from afar. Their frames were extraordinary, their spirits strikingly refined. Talking and laughing, they came to the foot of the peak and sat down beside the stone, discoursing with great eloquence. First they spoke of cloud-shrouded mountains and misty seas, of immortals and the phantasmagoric, and then they moved on to the glory and wealth of the mortal world. When the stone heard this, it could not help but be stirred by worldly desires. It too wished to go down to the world of men and enjoy for a time this glory and wealth. But it cursed its own coarseness and stupidity. Having no choice, it opened its mouth and spoke human words, addressing the monk and priest: "Reverend masters, your disciple is a stupid creature and cannot properly greet you. But just now I heard the two of you speak of the splendor and glory of the human world, and my heart yearns for it. Though my substance is coarse and stupid, my nature is somewhat receptive. Moreover, I can see that the two masters possess immortal forms and Taoist bodies—you are surely no ordinary beings. You must possess the talent to mend heaven and save the world, and the virtue to benefit all things and aid mankind. If you would bestow a little of your compassion and take me into the mortal world, to dwell for a few years amid the fields of wealth and the villages of tenderness, I shall forever bear the weight of your great grace and never forget it through ten thousand kalpas." The two immortal masters, having heard this, laughed together and said: "Well said, well said! In the mortal world there are indeed some pleasures, but they cannot be relied upon forever. Moreover, there are the eight words 'beauty marred by a flaw' and 'fortune breeds misfortune' that are closely linked together. In the blink of an eye, extreme joy gives birth to sorrow, people change and things shift—in the end, it all comes down to a single dream, with all realms returning to emptiness. It would be better not to go." But the stone's worldly desires were already burning fiercely—how could it listen to such words? It begged again and again with great earnestness. The two immortals knew they could not force it, and sighed: "This too is the destiny that comes when stillness reaches its extreme and stirs into motion, when something arises from nothing. Very well then, we shall take you to enjoy yourself. But when things do not go as you wish, do not say you were not warned." The stone said: "Naturally, naturally." The monk then said: "If we speak of your spiritual nature, you are yet so coarse and stupid, and possess nothing particularly precious or remarkable. At best, you would only serve as a stepping-stone. No matter—I shall now exercise the great power of the Buddha's dharma to aid you. When the kalpyas end, I shall restore you to your original nature to settle this matter. What do you think of this?" The stone, upon hearing this, was overwhelmed with gratitude. The monk then recited mantras and inscribed talismans, deploying his great illusory arts. In an instant, he transformed the great stone into a piece of luminous, glistening jade, bright and pure, and moreover shrank it to the size of a fan pendant—small enough to be worn or held. The monk held it in his palm and laughed: "In form, you are indeed a treasure! But you still lack real merit. I must inscribe some characters upon you, so that anyone who sees you at once knows you are a wondrous object. Then I shall take you to a land of prosperity and splendor, a clan of poets and officials, a place of flowers and brocade, a village of tenderness and wealth, there to settle and take your pleasure." The stone, upon hearing this, was beside itself with joy and asked: "I do not know what wondrous qualities I possess, nor where you will take me. I beg you to make this clear, so that I may not be confused." The monk laughed: "Do not ask now. In time, you will naturally understand." With this, he put the stone in his sleeve, and together with the Taoist priest, drifted away on the breeze—no one knew to what place they went.
After that, who knows how many ages and kalpas passed, when a certain Daoist called Kongkong (the Empty Void) went wandering in search of the Way and immortality. Suddenly he came by the foot of Blue Ridge Peak on the Great Waste Mountain beyond the Bounds of Evidence, and noticed a large stone with clear writing on it, a complete narrative. Kongkong Daoist read it from the beginning. It turned out to be a story about a stone that had been unfit to mend Heaven, transformed into human form, and brought into the world of mortals by the Great Master Mangmang and the True Person Miaomiao, where it had gone through all manner of partings and reunions, joys and sorrows, the warmth and coldness of the human world. Behind the text was a gatha:
No talent had I to mend the azure sky,
Yet vainly I entered the world of men for all these years!
This is the story of my life before and after—
To whom can I entrust it to spread its fame?
After the verse came the tale of the stone's place of descent and its rebirth, a record of what it had personally experienced. The domestic trifles and boudoir affairs, as well as the leisurely moods and poetry, were all fully recorded—enough perhaps to amuse and divert. But the dynasty, the reign period, the geography and the states, alas, were nowhere to be found.
Kongkong Daoist then said to the Stone, "Stone Brother, your story, as you yourself say, has some interest, so you wrote it down here with the intention of making it known to the world. But in my view, first, there is no dynasty or reign period to verify it; second, there are no great worthies or loyal ministers who govern the court and reform customs. There are only a few unusual women in it, some passionate, some foolish, some with small talents or slight virtues, but none with the moral excellence of Ban Zhao or Cai Wenji. Even if I were to copy it out, I fear people in the world would not enjoy reading it."
The Stone replied with a laugh, "Master, how can you be so foolish! If you say there is no dynasty or reign period to verify it, would it be so hard for you to fabricate one from the Han or Tang dynasties and tack it on? But I think that all unofficial histories have followed the same beaten track. Better to discard that convention, as I have done—it would be far more novel and original. I only took the essential nature and logic of the events, so why be so rigid about dynasty and reign period! Besides, among ordinary townsfolk, very few enjoy reading books about moral governance, while many love amusing, entertaining texts. As for unofficial histories, some slander rulers and ministers, some disparage men's wives and daughters—licentious, vicious, and evil beyond counting. There is also a kind of 'wind and moon' writing, so lewd and foul, so poisonous to brush and ink, so corrupting to young people, again beyond counting. As for the tales of gifted scholars and beauties, they all follow the same pattern in a thousand volumes, and inevitably they cannot avoid lewdness—full of Pan An, Zijian, Xizi and Wenjun. It is only because the author wishes to show off a couple of his own love poems and rhapsodies that he invents the names of a man and a woman, and must also insert a little villain to stir up trouble, like the clown in a play. And when the maids open their mouths, it is all 'thus and so' and 'such and such'—nothing but literary allusions or moralizing. So as one reads through them, everything is self-contradictory and utterly unreasonable. In the end, they cannot compare with these women I witnessed and heard with my own eyes for half a lifetime. I dare not say they are superior to all the characters in previous books, but their deeds and circumstances can dispel sorrow and break through boredom. There are also a few crooked verses and amusing sayings to make one spit out one's wine. As for the partings and reunions, joys and sorrows, the rise and fall of fortunes, I have followed the actual traces and dared not embellish in the slightest, lest I merely cater to people's eyes but lose the true account. People nowadays—the poor are daily burdened by food and clothing, the rich are never satisfied; even when they have a moment's leisure, there is greed and lust, the pursuit of goods and the seeking of trouble. When would they have the time to read books on moral governance? So my story does not seek to have people marvel at its wonders, nor does it insist that people read it with delight. I only wish that when they are drunk or lying in bed full of lust, or when they wish to escape the world and dispel their sorrows, they might take it up and amuse themselves—wouldn't that save some of their life and strength? It would be better than chasing illusions and pursuing falsehoods, and it would also spare them the harm of gossip and slander, the toil of rushing about on their legs. Moreover, it would give the world a fresh pair of eyes, unlike those random, tangled tales of sudden partings and sudden reunions, full of gifted scholars and lovely ladies, Zijian and Wenjun, Hongniang and Xiaoyu—all those worn-out, familiar old plots. What does my master think?"
Kongkong Daoist, hearing these words, pondered for a long while. He reviewed the *Story of the Stone* once more and saw that although there were passages pointing out treachery, reproving flatterers, condemning evil and denouncing wickedness, they were not aimed at attacking the times or cursing the world. When it came to benevolent rulers, good ministers, kind fathers, and filial sons—all matters concerning proper human relations—the text praised virtue and merit with deep feeling, truly unlike other books. Although its main theme spoke of passion, it merely recorded actual events and did not falsely pretend or recklessly claim to be nothing but licentious invitations, amorous trysts, private engagements and secret oaths. Since it had no bearing on contemporary affairs, he copied it from beginning to end and brought it back to make it known to the world. From that time, Kongkong Daoist, having seen Form from Void, generated Passion from Form, transmitted Passion into Form, and awakened to Void through Form, changed his name to the Passionate Monk and renamed the *Story of the Stone* as the *Record of the Passionate Monk*. Wu Yufeng titled it *Dream of the Red Chamber*, and Kong Meiqi of Donglu titled it *The Mirror of the Amorous*. Later, Cao Xueqin, in the Studio of Mourning Red, spent ten years going through it, adding and deleting five times, compiling a table of contents and dividing it into chapters, and titled it *The Twelve Beauties of Jinling*, adding a quatrain:
Pages full of idle words,
A handful of bitter tears!
All say the author is foolish,
Who understands the flavor within?
In those days, when the earth sank in the southeast, in that corner of the southeast there was a place called Gusu, with a city gate called Changmen—the foremost place of wealth and fashion in the mortal world. Outside Changmen there was a Ten-Li Street, and on that street was the Lane of Humanity and Purity, and in that lane was an old temple. Because the place was cramped, people all called it Gourd Temple. Beside the temple lived a country gentleman of the Zhen family—his given name was Fei, his courtesy name Shiyin. His principal wife, of the Feng family, was virtuous and gentle, deeply versed in propriety and righteousness. Although the family was not especially wealthy, locally they were regarded as a distinguished clan. This Zhen Shiyin, by nature tranquil and indifferent, set his mind on nothing of fame and office; each day he took pleasure only in admiring flowers and tending bamboo, drinking wine and composing verse—truly a person of immortal quality. There was only one regret: he was already past fifty and had no son, only a daughter, whose milk name was Yinglian, just three years old.
One day, in the endless heat of summer, Shiyin was sitting idly in his study. His hands grew weary and he cast aside his book, resting his head on the desk for a brief respite. Before he knew it, he had drifted into a hazy slumber. He dreamed he had arrived at a place, but could not tell where it was. Suddenly he saw a Buddhist monk and a Taoist priest approaching from that direction, walking and talking as they came. He heard only the Taoist ask, "You carry this foolish object—where do you intend to take it?" The monk smiled and said, "Set your mind at rest. At present there is a romantic case that should be brought to a conclusion. These romantic wrongdoers have not yet been reincarnated into the world. Taking advantage of this opportunity, I shall have this foolish object smuggled in among them, so that he may go and experience the world." The Taoist said, "So the romantic wrongdoers of recent times are about to create calamities and undergo worldly experiences again? But I wonder in what quarter and in what place they will be born?" The monk laughed and said, "This affair, when told, is quite amusing—it is a rare thing never heard of since ancient times. On the bank of the Spiritual River in the Western Paradise, beside the Stone of Three Lives, there grows a plant called the Crimson Pearl Grass. At that time, the Divine Attendant of the Scarlet Jade Palace watered it daily with sweet dew, and so the Crimson Pearl Grass was able to prolong its years. Later, having received the essence of heaven and earth and further nourished by rain and dew, it finally shed its grassy and wooden nature, took on human form, and cultivated itself into nothing more than a female body. It wandered endlessly beyond the Sky of Separated Sorrows, eating the Green Honey Fruit when hungry and drinking the Sea of Sorrowful Water when thirsty. Because it had not yet repaid the kindness of the irrigation, its heart was bound up with an endless thread of tender feeling. It happened recently that this Divine Attendant's mortal heart was kindled, and taking advantage of this enlightened and peaceful age, he desired to descend into the world to undergo romantic adventures—he had already registered his name before the Fairy of Disenchantment. The Fairy of Disenchantment had also inquired about the matter: since the debt of irrigation remained unpaid, this would be an opportunity to settle it. The Crimson Pearl Fairy said, 'He gave me the kindness of sweet dew, but I have no such water to repay him. Since he is going down into the world as a human being, I too shall go down into the world as a human being, and repay him with all the tears of my life—that will more than settle the debt.' Because of this affair, it has drawn out many romantic wrongdoers to accompany them and bring this case to a conclusion." The Taoist said, "Truly a rare thing to hear. I have never in fact heard of such a thing as repaying with tears. I imagine this story must be more intricate and delicate than all the romantic tales of the past." The monk said, "The romantic figures of the ages have had only their general outlines and their poetry and prose handed down; the daily food and drink of family and women's quarters have never been recorded. Moreover, most romantic tales are nothing more than stealing fragrance and purloying jade, secret trysts and elopements—they have never given true expression to the genuine feelings of young men and women. I think when these people enter the world, their infatuated ghosts, their wise and foolish, their worthy and unworthy, will all differ from what has been transmitted by previous writers." The Taoist said, "Why don't you and I also take this opportunity to descend into the world and convert a few souls—wouldn't that be a meritorious deed?" The monk said, "That accords exactly with my own wishes. Come with me to the Fairy of Disenchantment's palace, and let us hand over this foolish object clearly. Once all these romantic wrongdoers have completed their descent into the world, we shall go as well. Although by now half of them have already fallen into the dust, the full company has not yet assembled." The Taoist said, "In that case, I shall follow you."
Now Shiyin had heard all this clearly, but did not know what this "foolish object" could be. He could not help stepping forward and bowing, smiling as he asked, "Greetings to you two immortal masters." The monk and the Taoist quickly returned his bow and inquired in turn. Shiyin then said, "I have just heard the immortal masters speak of cause and effect—truly a rare thing in the human world. But this disciple is dull and muddled and cannot fully comprehend it. If you would graciously open my foolish obstinacy and tell me in detail, this disciple will listen with attentive ears, and perhaps may be somewhat awakened, and so avoid the suffering of sinking into the abyss." The two immortals laughed and said, "This is a mystery that cannot be prematurely revealed. When the time comes, do not forget the two of us, and you will be able to leap out of the fiery pit." Shiyin, hearing this, did not venture to ask further. He smiled and said, "Since the mystery cannot be prematurely revealed, but you just spoke of a 'foolish object'—what might that be? Might I be permitted to see it?" The monk said, "If you ask about this object, we are indeed destined to meet it face to face." With that, he took it out and handed it to Shiyin. Shiyin received it and looked—it was actually a piece of lustrous, beautiful jade, with clear characters engraved upon it: four large characters reading "Spiritual Understanding Jade," and several lines of smaller characters behind. Just as he was about to examine it closely, the monk said they had already reached the illusionary realm and forcibly snatched it back from his hand. He and the Taoist then passed through a great stone archway, on which were inscribed four large characters: "Illusory Land of Great Void." On either side was a couplet that read:
When false is taken for true, true becomes false;
Where nothing is taken for something, something becomes nothing.
Shiyin wished to follow them, but just as he was about to step forward, he suddenly heard a thunderclap, as if mountains were collapsing and the earth was caving in. Shiyin cried out loudly. He fixed his eyes and saw only the blazing sun and the spreading plantain leaves—most of what he had dreamed was already forgotten. Then he saw his nursemaid carrying Yinglian. Shiyin saw that his daughter had grown even more lovely, like powder and jade, charming and delightful. He reached out his hands, took her, and held her in his arms. He played with her for a while, then carried her to the street to watch the excitement of the festival procession. Just as he was about to go back inside, he saw a Buddhist monk and a Taoist priest coming from that direction: the monk had a scabby head and went barefoot, the priest was lame and had disheveled hair. They came laughing and talking wildly, waving their hands. When they reached his gate and saw Shiyin holding Yinglian, the monk burst into loud weeping and said to Shiyin, "Sir, why do you hold in your arms this creature who has fate but no fortune, who will bring disaster upon her father and mother?" Shiyin, hearing this, knew it was the talk of a madman and paid him no heed. The monk went on, "Give her to me! Give her to me!" Shiyin, losing patience, turned to go inside with his daughter in his arms. The monk then pointed at him and laughed loudly, reciting four lines from his lips:
You laugh at me, pampered and foolish, for doting on her—
The hollow镜 of the water-chestnut flower faces the melting snow in vain.
Beware, after the Festival of Lanterns,
Comes the moment when smoke vanishes and fire is extinguished!
Shi-yin listened with a clear mind, yet his heart hesitated; he wished to ask about their origins. He then heard the Taoist say, "We need not travel together—let us part here and each pursue our own livelihood. After three kalpas, I will wait for you on Mount Mang North. We will meet there and go together to the Land of Illusion to close our accounts." The monk replied, "Splendid, splendid!" With that, the two departed at once, and not a trace of them was seen again. Shi-yin reflected to himself: these two men must have some remarkable background. I should have tried to question them; now it is too late for regret.
As Shi-yin stood lost in thought, he suddenly saw a poor scholar emerge from the Temple of the Gourd next door—one Jia Hua, styled Shi-fei, with the sobriquet Yu-cun. This Jia Yu-cun was originally a native of Huzhou, born into a family of scholars and officials. But having come into the world in its declining years, with his parents' and ancestors' fortunes exhausted and their kin having dwindled away, only he himself remained, alone and solitary. Finding no advantage in his native place, he had come to the capital seeking to obtain a degree and restore the family's fortunes. He had arrived there the year before last and had since been stranded, lodging temporarily in the temple for a living, supporting himself daily by selling his calligraphy and writing. Thus Shi-yin often associated with him.
Now Yu-cun, seeing Shi-yin, hurriedly bowed and said with an ingratiating smile, "The old gentleman stands gazing from his gate—could there be some news from the marketplace?" Shi-yin smiled and replied, "Not at all. It was only because my little daughter was crying that I brought her out to play. I was feeling exceedingly bored, and your arrival is most opportune. Please do come into my study for a chat—it will help us both while away this endless day." So saying, he ordered someone to take his daughter inside, then personally took Yu-cun by the hand and led him to the study. A young boy served tea. They had scarcely exchanged a few words when a servant came flying in with the report: "Honored Master Yan has come to pay his respects!" Shi-yin, flustered, rose hastily and apologized, "Forgive me for having misled you—do sit for a moment and I shall return presently to keep you company." Yu-cun also rose quickly and said, "Please go ahead, sir. Your humble visitor is a frequent guest here—a brief wait is no matter at all." With this, Shi-yin went out to the front hall.
Left alone, Yu-cun leafed through some books to pass the time. Suddenly he heard the sound of a woman coughing outside the window. He rose and looked out, and saw it was a maid picking flowers there. She had a pleasing appearance and clear, bright features—though not exceptionally beautiful, she had her own charm. Yu-cun could not tear his eyes away. The Zhen family's maid, having gathered her flowers, was about to leave when she suddenly raised her head and saw someone in the window—wearing a shabby kerchief and old clothes, poor and downcast in appearance, yet with a sturdy, broad-shouldered frame, a full face and wide mouth, bushy sword-like brows and starry eyes, a straight nose and prominent cheekbones. The maid quickly turned away, thinking to herself: "This man is so handsome in his ruggedness, yet so threadbare in his dress. He must be that Jia Yu-cun my master often speaks of—he has always wanted to help and support him but never had the chance. We have no such impoverished relatives or friends, so it must be him. No wonder my master also says he is not a man who will remain in obscurity for long." Thinking thus, she could not help but glance back twice more. Yu-cun, seeing her look back, concluded to himself that she must have feelings for him, and was beside himself with joy, convinced that she was a woman of great discernment—a kindred spirit in the rough world of men.
Presently a young boy entered, and Yu-cun learned that a feast was being served in the front of the house—he could not linger. He slipped out through a side passage. After Shi-yin had seen his guest off, knowing that Yu-cun had left on his own, he did not go to invite him again.
One day, the Mid-Autumn Festival arrived. After the family feast at Shi-yin's home, he set out another table in the study and walked himself, under the bright moon, to the temple to invite Yu-cun. Ever since that day when the Zhen family's maid had glanced back at him twice, Yu-cun had considered her a kindred spirit and kept her constantly in his thoughts. Now, with the Mid-Autumn Festival upon him, he could not help gazing at the moon with feeling, and spontaneously composed a five-character regulated verse:
I cannot yet foretell the fulfillment of my three-life wish,
Yet again a fresh layer of sorrow is added.
When vexed, I furrow my brow;
As I depart, I turn my head again and again.
I gaze at my own shadow before the wind—
Who could be my companion beneath the moon?
If the moonlight has a kindly thought,
Let it first shine upon the tower of my fair one.
Having finished reciting, Yu-cun reflected on his lifelong ambitions and lamented that he had yet to meet his opportunity. He scratched his head and heaved a long sigh to heaven, then loudly chanted a couplet:
A jade in a casket awaits a fair price;
A hairpin in a case waits for the hour of its flight.
Just then Shi-yin happened to arrive and heard him. He laughed and said, "Brother Yu-cun, your ambitions are truly no small matter!" Yu-cun quickly smiled and replied, "I was merely reciting lines from an earlier poet—how dare I be so presumptuous?" He then asked, "What brings the old gentleman here?" Shi-yin smiled and said, "Tonight is the Mid-Autumn Festival, what people call the 'Festival of Reunion.' I thought that you, sir, lodging in a temple as a traveler, might feel somewhat lonely, so I prepared a small repast and invite you to my humble studio for a cup of wine. I wonder if you will accept this simple offering?" Yu-cun, on hearing this, made no polite refusals but said with a smile, "Since you honor me with such kindness, how could I presume to decline your generous hospitality?" With that, he followed Shi-yin back across to the study. Tea was soon finished, and cups and dishes had already been laid out—needless to say, the wine was fine and the food exquisite. The two men took their seats and began by sipping slowly, then gradually warmed to their conversation, and before long they were passing the cups freely. At that moment, from every street and lane came the sound of pipes and flutes; from every household rose the strains of song. Above them hung a full moon, pouring down radiant splendor. The two men's spirits rose ever higher, and they drained each cup as it came. By now Yu-cun was already seven or eight parts drunk, and his wild excitement could no longer be contained. Gazing at the moon, he gave vent to his feelings and extemporized a quatrain:
When the fifteenth comes, reunion is complete;
The clear moonlight in full splendor guards the jade railing.
No sooner is the single orb raised above heaven
Than the myriad people of the world raise their heads to gaze.
When Scholar Yinzhen heard this, he cried out, "Splendid! I have always said that you, brother, are surely not one to remain beneath others for long. These lines you have just recited already show the omens of soaring flight — before long, you shall ascend to the heights above the clouds. This calls for congratulations!" And he personally poured a cup of wine to offer his congratulations.
Yucun, having already drunk, sighed and said, "This is not mere drunken boasting on my part. If we speak of fashionable learning, I suppose I might be counted among those who trade on reputation. But at present, I have no provisions whatsoever for the road or traveling expenses. The road to the Divine Capital is far — I cannot reach it merely by selling my calligraphy or writing essays."
Before he could finish, Scholar Yinzhen said, "Why did you not speak of this sooner? I have long had this thought, but whenever I met you, you never brought up the matter, so I did not dare to raise it abruptly. Now that you have mentioned it, though I am a man of no particular talent, I still understand the distinction between 'righteousness and profit.' Moreover, it is a happy circumstance that next year is the year of the Great Examination. You should make haste to go to the capital. One battle at the Spring Examination will not be unworthy of your learning. As for traveling expenses and the like, I will take care of everything on your behalf — this will not be unworthy of our acquaintance."
He immediately ordered a servant boy to go inside and quickly prepare fifty taels of silver and two sets of winter clothes. He also said, "The nineteenth is an auspicious day. You may at once hire a boat and travel west. When you soar aloft in grand flight, we shall meet again next winter — would that not be a great joy?"
Yucun accepted the silver and clothes, offered but a few words of thanks, showed no particular concern, and went on drinking and chatting as before. That night, it was already the third watch when the two men parted.
After seeing Yucun off, Scholar Yinzhen returned to his room and slept until the sun was three poles high the next morning. Reflecting on the events of the previous night, he intended to write two letters of recommendation for Yucun to carry to the Divine Capital, so that Yucun might call upon some official household as a place of temporary lodging. He therefore sent someone to invite Yucun, but the servant returned and said, "The monk says that Master Jia set out for the capital at the fifth watch today. He also left word with the monk to convey to Your Honor: 'A scholar pays no heed to auspicious or inauspicious days — the important thing is to attend to the demands of duty. I was unable to take my leave in person.'"
When Scholar Yinzhen heard this, he could do nothing but let the matter drop.
Truly, time passes easily in leisure — in the blink of an eye, the Lantern Festival had arrived. Scholar Yinzhen ordered his servant Huoqi to carry Yinglian out to watch the community fire and lanterns. In the middle of the night, Huoqi needed to relieve himself, so he set Yinglian down to sit on the threshold of a doorway. When he returned after relieving himself, Yinglian was nowhere to be found! Huoqi searched frantically for half the night, but even by dawn there was no trace of her. Huoqi did not dare return to face his master and fled to another place.
When Mr. and Mrs. Zhen saw that their daughter had not returned all night, they knew something was amiss. They sent several more people to search, but all returned saying they had found no trace of her. The couple had only this one daughter born to them in half a lifetime. Now that she was lost, how could they not long for her? They wept day and night, nearly driven to take their own lives.
Before a month had passed, Scholar Yinzhen fell ill. At that time, Madam Feng also fell sick from longing for their daughter, and doctors were summoned daily to treat them.
It so happened that on this day, the fifteenth of the third month, offerings were being fried in the Gourd Temple. The monks were careless, and the oil in the cauldron caught fire, which spread to the paper on the windows. The houses in this area were mostly built with bamboo fences and wooden walls — perhaps it was all due to fate — so the fire spread from one to another, linking five and connecting four, until the whole street burned like the Mountain of Fire. Although soldiers and civilians came to help, the fire had already gained such force that it could not be stopped. It burned all night before gradually dying out, and no one knew how many households had been destroyed.
Only the Zhen family, living next door, was reduced to a pile of rubble and tiles. Fortunately, the couple and a few servants escaped with their lives. Scholar Yinzhen had no choice but to stamp his feet and sigh in despair.
He consulted with his wife, and they decided to go to their country estate to settle. Unfortunately, in recent years there had been floods and droughts, and bandits had arisen everywhere, seizing land and robbing property, stealing and plundering, so that the people lived in unrest. Troops were sent to suppress them, and there was no peace to be found. Scholar Yinzhen had no choice but to convert all his estates into ready money. He then took his wife and two maidservants and went to the home of his father-in-law.
His father-in-law's name was Feng Su, a native of Daru Prefecture. Though he worked the land, his family was still well-off. When he saw his son-in-law arrive in such a wretched state, he was not pleased. Fortunately, Scholar Yinzhen still had some of the money from selling his land left over, and he entrusted Feng Su to use it to buy a modest piece of land and a house at a reasonable price, as a provision for future livelihood. But Feng Su cheated him out of most of it, giving him only some poor fields and a dilapidated house.
Scholar Yinzhen was a man of letters, unaccustomed to farming and the business of making a living. He struggled to get by for a year or two, and only grew poorer. Whenever Feng Su saw him, he would make sarcastic remarks, and behind his back he would complain to others that they did not know how to manage their affairs and were nothing but good-for-nothings who were lazy and loved their food.
Scholar Yinzhen knew he had thrown his lot in with the wrong man and could not help feeling regret. Added to this was the shock of the previous year, his anger, resentment, and grief — all these had taken their toll. A man of his years, beset by poverty and sickness, gradually began to show the signs of one whose days were numbered.
It happened that on this day, leaning on his staff, he had dragged himself to the street to take a walk and clear his mind when he saw coming from the other direction a lame Taoist priest, wild and disheveled, wearing hempen sandals and clothes patched like a quail's feathers, reciting these words:
All men long for immortality,
Yet fame and rank they cannot forget.
Where are the generals and ministers of old?
A mound of wild grass covers their graves.
All men long for immortality,
Yet silver and gold they cannot forget.
They grumble all day that they have not enough,
And when they have plenty, their eyes close in death.
All men long for immortality,
Yet their lovely wives they cannot forget.
On her lord's birthday she speaks of devotion,
But when he dies, she follows another.
All men long for immortality,
Yet their sons and grandsons they cannot forget.
Fond parents have been many since ancient times,
But filial descendants — who has ever seen them?
Zhiyin stepped forward and said, "What are you babbling about? All I can hear is 'good,' 'done,' 'good,' 'done.'" The Taoist laughed and replied, "If you can indeed hear the words 'good' and 'done,' then you may be said to understand. Know this: in all things under heaven, 'good' is 'done,' and 'done' is 'good.' If it is not done, then it is not good; if it is to be good, it must be done. That is why this song of mine is called the Song of 'Good' and 'Done.'" Zhiyin had long possessed a keen spiritual intuition, and upon hearing these words, enlightenment dawned in his heart. He laughed and said, "Wait! How about if I write an exegesis for your Song of 'Good' and 'Done'?" The Taoist laughed and said, "Go ahead, go ahead." Then Zhiyin spoke:
"A shabby, empty hall—once a bed strewn with ivory tablets; withered grass, dry willows—once a stage for song and dance. Cobwebs now drape the carved beams, and green gauze is pasted over the tattered window. What of the days when rouge was thick and powder sweet—how is it that both temples have turned to frost overnight? Only yesterday a white bone was laid to rest beneath a mound of yellow earth; tonight a mandarin duck sleeps beneath a crimson lantern in the bed curtains. Gold fills the coffers, silver fills the coffers—yet in the blink of an eye, one becomes a beggar, reviled by all. You sigh that another's life was short—little do you know that your own return is to a funeral. You instruct your sons with care—who can guarantee they will not become outlaws? You choose a nobleman for a son-in-law—who could have foreseen he would end up in a brothel? Because you thought your official cap too small, you ended up wearing canes and shackles; yesterday you pitied the thin, tattered coat for its chill, today you complain that the purple robe is too long. All is chaos—you step down from the stage and I step up, mistaking a foreign land for home. How absurd! In the end, it all comes down to sewing wedding garments for others."
The lame, mad Taoist clapped his hands upon hearing this and laughed. "A sharp exegesis! A sharp exegesis indeed!" Then Zhiyin said, "Let's go!" He snatched the Taoist's satchel from his shoulder, slung it over his own back, and without returning home, departed together with the mad Taoist, drifting away into the distance.
At once the neighborhood was set abuzz, and the people spread the tale as a piece of news. When Feng-shi heard the news, she wept until she nearly died. After much deliberation with her father, she sent people in every direction to search, but no news could be found. Having no alternative, she had no choice but to rely on her parents for their daily living. Fortunately, she still had two old maids who had served her in former days, and the three of them—mistress and maids—worked day and night sewing and selling needlework to help with her father's expenses. Though Feng Su complained daily, there was nothing he could do about it.
One day, the former Jia family's head maid was at the gate buying thread when suddenly she heard the sound of gongs clearing the way in the street. Everyone said the new magistrate had arrived to take up his post. The maid hid inside the gate to watch. She saw guards and runners passing in pairs, and then a great sedan chair carried past bearing an official in a black hat and scarlet robe. The maid was struck dumb with wonder. She thought to herself that the official looked remarkably familiar—she seemed to have seen him somewhere before. But she went back inside the house and put the matter out of her mind. That evening, just as she was about to rest, there came a sudden pounding at the door and a great clamor of voices. Many people were shouting, "The prefect of this prefecture has sent men to summon someone for questioning." When Feng Su heard this, he was so frightened he was struck dumb and wide-eyed, not knowing what calamity had befallen them.
But listen to the next chapter for the explanation.
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第一回 甄士隱夢幻識通靈 賈雨村風塵懷閨秀
作者自云:因曾歷過一番夢幻之後,故將真事隱去,而借通靈之說,撰此《石頭記》一書也。故曰「甄士隱夢幻識通靈」。但書中所記何事,又因何而撰是書哉?自又云:今風塵碌碌,一事無成,忽念及當日所有之女子,一一細推了去,覺其行止見識,皆出於我之上。何我堂堂之鬚眉,曾不若彼裙釵哉!實愧則有餘,悔又無益之大無可奈何之日也!當此時,則自欲將已往所賴,上賴天恩,下承祖德,錦衣紈絝之時、飫甘饜美肥之日,背父母教育之恩,負師兄規訓之德,已至今日一事無成、半生潦倒之罪,編述一記,以告普天下人。我之罪固不能免,然閨閣中本自歷歷有人,萬不可因我之不肖,自護其短,則一併使其泯滅也。雖今日之茆椽蓬牖,瓦灶繩床,其風晨月夕,階柳庭花,亦未有傷於我之襟懷筆墨者。雖我未學,下筆無文,何爲不用假語村言,敷演出一段故事來,以悅人之耳目哉。故曰「風塵懷閨秀」,乃是第一回題綱正義也。開卷即云「風塵懷閨秀」,則知作者本意原爲記述當日閨友閨情,並非怨世駡時之書矣。雖一時有涉於世態,然亦不得不叙者,但非其本旨耳,閱者切記之。詩曰:
浮生着甚苦奔忙?盛席華筵終散場。
悲喜千般同幻渺,古今一夢盡荒唐。
謾言紅袖啼痕重,更有情痴抱恨長。
字字看來皆是血,十年辛苦不尋常!
列位看官,你道此書從何而來?說起根由雖近荒唐,細諳則深有趣味。待在下將此來歷注明,方使聞者了然不惑。
原來,當年女媧氏煉石補天之時,於大荒山無稽崖煉成高經十二丈,方經二十四丈頑石三萬六千五百零一塊。媧皇氏只用了三萬六千五百塊,只單單剩了一塊未用,便棄在此山青埂峰下。誰知此石自經煅煉之後,靈性已通,因見眾石俱得補天,獨自己無材不堪入選,遂自怨自嗟,日夜悲號慚愧。
一日,正當嗟悼之餘,俄見一僧一道遠遠而來,生得骨骼不凡,豐神迥异,說說笑笑來至峰下,坐於石邊高談快論。先是說些雲山霧海神僊玄幻之事,後便說到紅塵中榮華富貴。此石聽了,不覺打動凡心,也想要到人間去享一享這榮華富貴,但自恨粗蠢,不得已,便口吐人言,向那僧道說道:「大師,弟子蠢物,不能見禮了。適聞二位談那人世間榮耀繁華,心切慕之。弟子質雖粗蠢,性卻稍通,況見二師仙形道體,定非凡品,必有補天濟世之材,利物濟人之德。如蒙發一點慈心,攜帶弟子得入紅塵,在那富貴場中,溫柔鄉裏受享幾年,自當永佩洪恩,萬劫不忘也。」二仙師聽畢,齊憨笑道:「善哉,善哉!那紅塵中有卻有些樂事,但不能永遠依恃。況又有美中不足、好事多魔八個字緊相連屬,瞬息間則又樂极悲生,人非物換,究竟是到頭一夢,萬境歸空,倒不如不去的好。」這石凡心已熾,那裏聽得進這話去,乃复苦求再四。二仙知不可強制,乃歎道:「此亦靜極思動,無中生有之數也。既如此,我們便攜你去受享受享,只是到不得意時,切莫後悔。」石道:「自然,自然。」那僧又道:「若說你性靈,卻又如此質蠢,并更無奇貴之處。如此也只好踮腳而已。也罷,我如今大施佛法助你助,待劫終之日,复還本質,以了此案。你道好否?」石頭聽了,感謝不盡。那僧便念咒書符,大展幻術,將一塊大石登時變成一塊鮮明瑩洁的美玉,且又縮成扇墜大小的可佩可拿。那僧托於掌上,笑道:「形体倒也是個寶物了!還只沒有實在的好處,須得再鐫上數字,使人一見便知是奇物方妙。然後攜你到那昌明隆盛之邦,詩禮簪纓之族,花錦繁華之地,溫柔富貴之鄉去安身樂業。」石頭聽了,喜不能禁,乃問:「不知弟子那幾件奇處,又不知携了弟子到何處?望乞明示,使弟子不惑。」那僧笑道:「你且莫問,日後自然明白的。」說着,便袖了那石,同那道人飄然而去,竟不知投奔何方何舍。
後來,又不知過了幾世幾劫,因有個空空道人訪道求仙,忽從這大荒山無稽崖青埂峰下經過,忽見一大塊石上字跡分明,編述歷歷。空空道人乃從頭一看,原來就是無材補天,幻形入世,蒙茫茫大士,渺渺真人攜入紅塵,歷盡離合悲歡炎涼世態的一段故事。後面又有一首偈云:
無材可與補蒼天,枉入紅塵若許年!
此係身前身後事,倩誰寄去作神傳?
詩後便是此石墜落之鄉,投胎之處,親自經歷的一段陳跡故事。其中家庭閨閣瑣事,以及閒情詩詞倒還全備,或可适趣解悶,然朝代年紀,地輿邦國,卻反失落無考。
空空道人遂向石頭說道:「石兄,你這一段故事,据你自己說有些趣味,故編寫在此,意欲問世傳奇。据我看來,第一件,無朝代年紀可考,第二件,并無大賢大忠理朝廷治風俗的善政,其中只不過幾個异樣女子,或情或痴,或小才微善,亦無班姑,蔡女之德能。我縱抄去,恐世人不愛看呢。」石頭笑答道:「我師何太痴耶!若云無朝代可考,今我師竟假借漢唐等年紀添綴,又有何難?但我想,歷來野史,皆蹈一轍,莫如我這不借此套者,反倒新奇別致,不過只取其事体情理罷了,又何必拘拘於朝代年紀哉!再者,市井俗人喜看理治之書者甚少,愛适趣閒文者特多。歷來野史,或訕謗君相,或貶人妻女,奸淫凶惡,不可胜數。更有一种風月筆墨,其淫穢污臭,屠毒筆墨,坏人子弟,又不可胜數。至若佳人才子等書,則又千部共出一套,且其中終不能不涉於淫濫,以致滿紙潘安、子建、西子、文君,不過作者要寫出自己的那兩首情詩艷賦來,故假擬出男女二人名姓,又必旁出一小人其間撥亂,亦如劇中之小丑然。且鬟婢開口即者也之乎,非文即理。故逐一看去,悉皆自相矛盾,大不近情理之話,竟不如我半世親睹親聞的這幾個女子,雖不敢說強似前代書中所有之人,但事跡原委,亦可以消愁破悶,也有幾首歪詩熟話,可以噴飯供酒。至若離合悲歡,興衰際遇,則又追蹤躡跡,不敢稍加穿鑿,徒為供人之目而反失其真傳者。今之人,貧者日為衣食所累,富者又怀不足之心,縱一時稍閒,又有貪淫戀色,好貨尋愁之事,那裏去有工夫看那理治之書?所以我這一段故事,也不願世人稱奇道妙,也不定要世人喜悅檢讀,只願他們當那醉淫飽臥之時,或避世去愁之際,把此一玩,豈不省了些壽命筋力?就比那謀虛逐妄,卻也省了口舌是非之害,腿腳奔忙之苦。再者,亦令世人換新眼目,不比那些胡牽亂扯,忽離忽遇,滿紙才人淑女,子建文君紅娘小玉等通共熟套之舊稿。我師意為何如?」
空空道人聽如此說,思忖半晌,將《石頭記》再檢閱一遍,因見上面雖有些指奸責佞貶惡誅邪之語,亦非傷時罵世之旨,及至君仁臣良父慈子孝,凡倫常所關之處,皆是稱功頌德,眷眷無窮,實非別書之可比。雖其中大旨談情,亦不過實錄其事,又非假擬妄稱,一味淫邀艷約,私訂偷盟之可比。因毫不干涉時世,方從頭至尾抄錄回來,問世傳奇。從此空空道人因空見色,由色生情,傳情入色,自色悟空,遂易名為情僧,改《石頭記》為《情僧錄》,至吳玉峰題曰《紅樓夢》,東魯孔梅溪則題曰《風月寶鑒》。後因曹雪芹於悼紅軒中披閱十載,增刪五次,纂成目錄,分出章回,則題曰《金陵十二釵》,并題一絕云:
滿紙荒唐言,一把辛酸淚!
都云作者痴,誰解其中味?
當日地陷東南,這東南一隅有處曰姑蘇,有城曰閶門者,最是紅塵中一二等富貴風流之地。這閶門外有個十里街,街內有個仁清巷,巷內有個古廟,因地方窄狹,人皆呼作葫蘆廟。廟旁住着一家鄉宦,姓甄,名費,字士隱。嫡妻封氏,情性賢淑,深明禮義。家中雖不甚富貴,然本地便也推他為望族了。因這甄士隱稟性恬淡,不以功名為念,每日只以觀花修竹,酌酒吟詩為樂,倒是神仙一流人品。只是一件不足:如今年已半百,膝下無兒,只有一女,乳名喚作英蓮,年方三歲。
一日,炎夏永晝,士隱於書房閒坐,至手倦拋書,伏几少憩,不覺朦朧睡去。夢至一處,不辨是何地方。忽見那廂來了一僧一道,且行且談。只聽道人問道:「你攜了這蠢物,意欲何往?」那僧笑道:「你放心,如今現有一段風流公案正該了結,這一干風流冤家,尚未投胎入世。趁此機會,就將此蠢物夾帶於中,使他去經歷經歷。」那道人道:「原來近日風流冤孽又將造劫歷世去不成?但不知落於何方何處?」那僧笑道:「此事說來好笑,竟是千古未聞的罕事。只因西方靈河岸上三生石畔,有絳珠草一株,時有赤瑕宮神瑛侍者,日以甘露灌溉,這絳珠草始得久延歲月。後來既受天地精華,复得雨露滋養,遂得脫卻草胎木質,得換人形,僅修成個女体,終日游於離恨天外,饑則食蜜青果為膳,渴則飲灌愁海水為湯。只因尚未酬報灌溉之德,故其五內便郁結着一段纏綿不盡之意。恰近日這神瑛侍者凡心偶熾,乘此昌明太平朝世,意欲下凡造歷幻緣,已在警幻仙子案前挂了號。警幻亦曾問及,灌溉之情未償,趁此倒可了結的。那絳珠仙子道:『他是甘露之惠,我并無此水可還。他既下世為人,我也去下世為人,但把我一生所有的眼淚還他,也償還得過他了。』因此一事,就勾出多少風流冤家來,陪他們去了結此案。」那道人道:「果是罕聞。實未聞有還淚之說。想來這一段故事,比歷來風月事故更加瑣碎細膩了。」那僧道:「歷來幾個風流人物,不過傳其大概以及詩詞篇章而已,至家庭閨閣中一飲一食,總未述記。再者,大半風月故事,不過偷香竊玉,暗約私奔而已,并不曾將兒女之真情發泄一二。想這一干人入世,其情痴色鬼,賢愚不肖者,悉與前人傳述不同矣。」那道人道:「趁此何不你我也去下世度脫幾個,豈不是一場功德?」那僧道:「正合吾意,你且同我到警幻仙子宮中,將蠢物交割清楚,待這一干風流孽鬼下世已完,你我再去。如今雖已有一半落塵,然猶未全集。」道人道:「既如此,便隨你去來。」
卻說甄士隱俱聽得明白,但不知所云「蠢物」系何東西。遂不禁上前施禮,笑問道:「二仙師請了。」那僧道也忙答禮相問。士隱因說道:「适聞仙師所談因果,實人世罕聞者。但弟子愚濁,不能洞悉明白,若蒙大開痴頑,備細一聞,弟子則洗耳諦聽,稍能警省,亦可免沉倫之苦。」二仙笑道:「此乃玄機不可預泄者。到那時不要忘我二人,便可跳出火坑矣。」士隱聽了,不便再問。因笑道:「玄機不可預泄,但适云『蠢物』,不知為何,或可一見否?」那僧道:「若問此物,倒有一面之緣。」說着,取出遞與士隱。士隱接了看時,原來是塊鮮明美玉,上面字跡分明,鐫着「通靈寶玉」四字,後面還有幾行小字。正欲細看時,那僧便說已到幻境,便強從手中奪了去,與道人竟過一大石牌坊,上書四個大字,乃是「太虛幻境」。兩邊又有一幅對聯,道是:
假作真時真亦假,無為有處有還無。
士隱意欲也跟了過去,方舉步時,忽聽一聲霹靂,有若山崩地陷。士隱大叫一聲,定睛一看,只見烈日炎炎,芭蕉冉冉,所夢之事便忘了大半。又見奶母正抱了英蓮走來。士隱見女兒越發生得粉妝玉琢,乖覺可喜,便伸手接來,抱在怀內,鬥他頑耍一回,又帶至街前,看那過會的熱鬧。方欲進來時,只見從那邊來了一僧一道:那僧則癩頭跣腳,那道則跛足蓬頭,瘋瘋癲癲,揮霍談笑而至。及至到了他門前,看見士隱抱着英蓮,那僧便大哭起來,又向士隱道:「施主,你把這有命無運,累及爹娘之物,抱在怀內作甚?」士隱聽了,知是瘋話,也不去睬他。那僧還說:「舍我罷,舍我罷!」士隱不耐煩,便抱女兒撤身要進去,那僧乃指着他大笑,口內念了四句言詞道:
慣養嬌生笑你痴,菱花空對雪澌澌。
好防佳節元宵後,便是煙消火滅時!
士隱聽得明白,心下猶豫,意欲問他們來歷。只聽道人說道:「你我不必同行,就此分手,各幹營生去罷。三劫後,我在北邙山等你,會齊了同往太虛幻境銷號。」那僧道:「最妙,最妙!」說畢,二人一去,再不見個蹤影了。士隱心中此時自忖:這兩個人必有來歷,該試一問,如今悔卻晚也。
這士隱正痴想,忽見隔壁葫蘆廟內寄居的一個窮儒-姓賈名化,表字時飛,別號雨村者走了出來。這賈雨村原系胡州人氏,也是詩書仕宦之族,因他生於末世,父母祖宗根基已盡,人口衰喪,只剩得他一身一口,在家鄉無益,因進京求取功名,再整基業。自前歲來此,又淹蹇住了,暫寄廟中安身,每日賣字作文為生,故士隱常與他交接。當下雨村見了士隱,忙施禮陪笑道:「老先生倚門佇望,敢是街市上有甚新聞否?」士隱笑道:「非也。适因小女啼哭,引他出來作耍,正是無聊之甚,兄來得正妙,請入小齋一談,彼此皆可消此永晝。」說着,便令人送女兒進去,自與雨村攜手來至書房中。小童獻茶。方談得三五句話,忽家人飛報:「嚴老爺來拜。」士隱慌的忙起身謝罪道:「恕誑駕之罪,略坐,弟即來陪。」雨村忙起身亦讓道:「老先生請便。晚生乃常造之客,稍候何妨。」說着,士隱已出前廳去了。
這裏雨村且翻弄書籍解悶。忽聽得窗外有女子嗽聲,雨村遂起身往窗外一看,原來是一個丫鬟,在那裏擷花,生得儀容不俗,眉目清明,雖無十分姿色,卻亦有動人之處。雨村不覺看的呆了。那甄家丫鬟擷了花,方欲走時,猛抬頭見窗內有人,敝巾舊服,雖是貧窘,然生得腰圓背厚,面闊口方,更兼劍眉星眼,直鼻權腮。這丫鬟忙轉身回避,心下乃想:「這人生的這樣雄壯,卻又這樣襤褸,想他定是我家主人常說的什麼賈雨村了,每有意幫助周濟,只是沒甚機會。我家并無這樣貧窘親友,想定是此人無疑了。怪道又說他必非久困之人。」如此想來,不免又回頭兩次。雨村見他回了頭,便自為這女子心中有意於他,便狂喜不盡,自為此女子必是個巨眼英雄,風塵中之知己也。一時小童進來,雨村打聽得前面留飯,不可久待,遂從夾道中自便出門去了。士隱待客既散,知雨村自便,也不去再邀。
一日,早又中秋佳節。士隱家宴已畢,乃又另具一席於書房,卻自己步月至廟中來邀雨村。原來雨村自那日見了甄家之婢曾回顧他兩次,自為是個知己,便時刻放在心上。今又正值中秋,不免對月有怀,因而口占五言一律云:
未卜三生願,頻添一段愁。
悶來時斂額,行去幾回頭。
自顧風前影,誰堪月下儔?
蟾光如有意,先上玉人樓。
雨村吟罷,因又思及平生抱負,苦未逢時,乃又搔首對天長歎,复高吟一聯曰:
玉在匵中求善价,釵於奩內待時飛。
恰值士隱走來聽見,笑道:「雨村兄真抱負不淺也!」雨村忙笑道:「不過偶吟前人之句,何敢狂誕至此。」因問:「老先生何興至此?」士隱笑道:「今夜中秋,俗謂『團圓之節』,想尊兄旅寄僧房,不無寂寥之感,故特具小酌,邀兄到敝齋一飲,不知可納芹意否?」雨村聽了,并不推辭,便笑道:「既蒙厚愛,何敢拂此盛情。」說着,便同士隱复過這邊書院中來。須臾茶畢,早已設下杯盤,那美酒佳肴自不必說。二人歸坐,先是款斟漫飲,次漸談至興濃,不覺飛觥限斝起來。當時街坊上家家簫管,戶戶弦歌,當頭一輪明月,飛彩凝輝,二人愈添豪興,酒到杯乾。雨村此時已有七八分酒意,狂興不禁,乃對月寓怀,口號一絕云:
時逢三五便團圓,滿把晴光護玉欄。
天上一輪才捧出,人間萬姓仰頭看。
士隱聽了,大叫:「妙哉!吾每謂兄必非久居人下者,今所吟之句,飛騰之兆已見,不日可接履於雲霓之上矣。可賀,可賀!」乃親斟一斗為賀。雨村因乾過,歎道:「非晚生酒後狂言,若論時尚之學,晚生也或可去充數沽名,只是目今行囊路費一概無措,神京路遠,非賴賣字撰文即能到者。」士隱不待說完,便道:「兄何不早言。愚每有此心,但每遇兄時,兄并未談及,愚故未敢唐突。今既及此,愚雖不才,『義利』二字卻還識得。且喜明歲正當大比,兄宜作速入都,春闈一戰,方不負兄之所學也。其盤費餘事,弟自代為處置,亦不枉兄之謬識矣!」當下即命小童進去,速封五十兩白銀,并兩套冬衣。又云:「十九日乃黃道之期,兄可即買舟西上,待雄飛高舉,明冬再晤,豈非大快之事耶!」雨村收了銀衣,不過略謝一語,并不介意,仍是吃酒談笑。那天已交了三更,二人方散。士隱送雨村去後,回房一覺,直至紅日三竿方醒。因思昨夜之事,意欲再寫兩封荐書與雨村帶至神都,使雨村投謁個仕宦之家為寄足之地。因使人過去請時,那家人去了回來說:「和尚說,賈爺今日五鼓已進京去了,也曾留下話與和尚轉達老爺,說『讀書人不在黃道黑道,總以事理為要,不及面辭了。』」士隱聽了,也只得罷了。真是閒處光陰易過,倏忽又是元霄佳節矣。士隱命家人霍啟抱了英蓮去看社火花燈,半夜中,霍啟因要小解,便將英蓮放在一家門檻上坐着。待他小解完了來抱時,那有英蓮的蹤影?急得霍啟直尋了半夜,至天明不見,那霍啟也就不敢回來見主人,便逃往他鄉去了。那士隱夫婦,見女兒一夜不歸,便知有些不妥,再使幾人去尋找,回來皆云音響皆無。夫妻二人,半世只生此女,一旦失落,豈不思想,因此晝夜啼哭,幾乎不曾尋死。看看的一月,士隱先就得了一病,當時封氏孺人也因思女构疾,日日請醫療治。
不想這日三月十五,葫蘆廟中炸供,那些和尚不加小心,致使油鍋火逸,便燒着窗紙。此方人家多用竹篱木壁者,大抵也因劫數,於是接二連三,牽五挂四,將一條街燒得如火焰山一般。彼時雖有軍民來救,那火已成了勢,如何救得下?直燒了一夜,方漸漸的熄去,也不知燒了幾家。只可怜甄家在隔壁,早已燒成一片瓦礫場了。只有他夫婦并幾個家人的性命不曾傷了。急得士隱惟跌足長歎而已。只得與妻子商議,且到田庄上去安身。偏值近年水旱不收,鼠盜蜂起,無非搶田奪地,鼠竊狗偷,民不安生,因此官兵剿捕,難以安身。士隱只得將田庄都折變了,便攜了妻子與兩個丫鬟投他岳丈家去。
他岳丈名喚封肅,本貫大如州人氏,雖是務農,家中都還殷實。今見女婿這等狼狽而來,心中便有些不樂。幸而士隱還有折變田地的銀子未曾用完,拿出來托他隨分就价薄置些須房地,為後日衣食之計。那封肅便半哄半賺,些須與他些薄田朽屋。士隱乃讀書之人,不慣生理稼穡等事,勉強支持了一二年,越覺窮了下去。封肅每見面時,便說些現成話,且人前人後又怨他們不善過活,只一味好吃懶作等語。士隱知投人不着,心中未免悔恨,再兼上年驚唬,急忿怨痛,已有積傷,暮年之人,貧病交攻,竟漸漸的露出那下世的光景來。
可巧這日拄了拐杖掙挫到街前散散心時,忽見那邊來了一個跛足道人,瘋癲落脫,麻屣鶉衣,口內念着幾句言詞,道是:
世人都曉神仙好,惟有功名忘不了;古今將相在何方,荒冢一堆草沒了。
世人都曉神仙好,只有金銀忘不了;終朝只恨聚無多,及到多時眼閉了。
世人都曉神仙好,只有嬌妻忘不了;君生日日說恩情,君死又隨人去了。
世人都曉神仙好,只有兒孫忘不了;痴心父母古來多,孝順子孫誰見了。
士隱聽了,便迎上來道:「你滿口說些什麼?只聽見些『好』『了』『好』『了』。那道人笑道:「你若果聽見『好』『了』二字,還算你明白。可知世上萬般,好便是了,了便是好。若不了,便不好,若要好,須是了。我這歌兒,便名《好了歌》。」士隱本是有宿慧的,一聞此言,心中早已徹悟。因笑道:「且住!待我將你這《好了歌》解注出來何如?」道人笑道:「你解,你解。」士隱乃說道:
陋室空堂、當年笏滿床,衰草枯楊、曾為歌舞場;蛛絲兒結滿雕梁,綠紗今又糊在蓬窗上。說什麼脂正濃、粉正香,如何兩鬢又成霜;昨日黃土隴頭送白骨,今宵紅燈帳底臥鴛鴦。金滿箱、銀滿箱,轉眼乞丐人皆謗;正嘆他人命不長,那知自己歸來喪。訓有方,保不定日後作強梁;擇膏粱,誰承望流落在煙花巷。因嫌紗帽小,致使鎖枷扛;昨憐破襖寒,今嫌紫蟒長。亂哄哄你方唱罷我登場,反認他鄉是故鄉;甚荒唐,到頭來都是為他人作嫁衣裳。
那瘋跛道人聽了,拍掌笑道:「解得切,解得切!」士隱便說一聲「走罷!」將道人肩上褡褳搶了過來背着,竟不回家,同了瘋道人飄飄而去。
當下烘動街坊,眾人當作一件新聞傳說。封氏聞得此信,哭個死去活來,只得與父親商議,遣人各處訪尋,那討音信?無奈何,少不得依靠着他父母度日。幸而身邊還有兩個舊日的丫鬟伏侍,主僕三人,日夜作些針線發賣,幫着父親用度。那封肅雖然日日抱怨,也無可奈何了。
這日,那甄家大丫鬟在門前買線,忽聽街上喝道之聲,眾人都說新太爺到任。丫鬟於是隱在門內看時,只見軍牢快手,一對一對的過去,俄而大轎抬着一個烏帽猩袍的官府過去。丫鬟倒發了個怔,自思這官好面善,倒象在那裏見過的。於是進入房中,也就丟過不在心上。至晚間,正待歇息之時,忽聽一片聲打的門響,許多人亂嚷,說:「本府太爺差人來傳人問話。」封肅聽了,唬得目瞪口呆,不知有何禍事,且聽下回分解。
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